In The Flesh

In 2013, a unique little show popped up over in the United Kingdom. This show was called “In The Flesh”, and it took a unique approach in numerous directions. It was a horror television show that had very little focus on blood, guts, and gore; they appeared (what form of media involving zombies could entirely omit it after all) but were in contrast to the story, which focused on the zombies’ thoughts, their feelings, and their struggles. In doing so, it went against the traditional layout of zombie films and TV shows. And in another surprising development, the creators made the focal point of the show in particular an openly bisexual male character: a rarity in entertainment worldwide, but especially in the United Kingdom, who would get legal marriage equality shortly after the first episode aired (months after it was filmed, when it was still at best considered an outside possibility).

This is by no means the first instance of LGBT+ representation in zombie media: Walking Dead viewers and readers know there’s at least one gay couple and lesbian undertaking over the course of the lengthy still-ongoing series. But to the best of my knowledge, this is the first time LGBT+ representation is at the forefront of the piece. The main character, Kieren, is a rehabilitated zombie or “rotter” who ended his own life after his closeted boyfriend was killed in action in the Afghanistan war. Rehabbed zombies are essentially treated like immigrants or…well…LGBT+ people. The town rebels and says we don’t want you, you might infect or kill us or take our jobs. Over the course of the show’s 2 seasons, things happen that affect his life even more than those verbal accusations. Yes, it’s a zombie show, so the lover comes back, but as with many things it’s not meant to last.

Season 2 shows the most progression of both the storyline and the role/trope of the doomed LGBT character. Things don’t seem so hopeless ultimately, even for a drama! A new love comes into his life. His best friend is by his side until the end. And he comes to terms with himself, who he is, what he is. The show got praise from critics and viewers alike in the United Kingdom when it aired on BBC Three and in the United States when it aired on BBC America for its progressiveness, not just for a show with zombies, but for a show with an LGBT+ main character. Throughout the show, aside from flashbacks, it’s abundantly clear that zombies mirror LGBT people, especially Kieren who is both: the town didn’t like him when he was bisexual and human, the town doesn’t like him now that he’s bisexual and potentially could snap and eat their brains. In season one, this was a problem because Kieren didn’t like that he was either. He didn’t want to be an ostracized minority, he just wanted to be happy and fit in.

But in season 2, he gradually became more confident in both his sexuality and his status as a rehabbed zombie. He only has two relationships in the show, and they’re both with men, but it’s never assumed that he’s just gay even by other characters like his best friend Amy, which is a wonderful step forward for media showing bi visibility. Simon, his new lover in season 2, at one point gives a speech that essentially teaches Kieren the biggest lesson he learns potentially ever: the only acceptance you really need most is your own. And he never forgets it after they embrace in a wonderful moment.

Like I said earlier unfortunately, many things in life aren’t meant to last, and this show was one of them. The second season was its last, with a total of 9 episodes throughout the series. Still it was a hell of a ride, and both seasons are available for purchase on DVD from BBC America wherever DVDs are sold. I highly recommend giving it a chance. Few zombie shows or movies are this consistently captivating, progressive, and important.

Game of Thrones: Oberyn Martell

The popular HBO series Game of Thrones, written for television by David Benioff and D.B. Weiss is well known for creating a buzz among its viewers. This is not solely because of its renowned writing and production, which is based on the famous fantasy series A Song of Ice and Fire, by George R.R. Martin. Throughout its run the show has featured many characterizations of today’s society’s ‘taboos’, which are meant to get viewers talking. One character in particular who has stood out in my mind is the Red Viper of Dorne, Oberyn Martell.

Oberyn is portrayed on screen as a macho, pansexual man with a love of lust and violence. Within seconds of his introduction to the show (already notorious for its sexually explicit content) viewers were thrust into a brothel bed where Oberyn was sexually engaging multiple men and women at the same time. Naturally his presence has created a stir in both the straight and queer communities and many have developed differing opinions on his portrayal.

“Then everyone is missing half the world’s pleasure. The gods made [women], and it delights me. The gods made [men]… and it delights me. When it comes to war I fight for Dorne, when it comes to love — I don’t choose sides.” – Oberyn Martell

Pedro Pascal, the actor who plays Oberyn, has expressed his own interpretation of the character:

“I think that he gives no explanation and makes no apologies for the way he lives his life, and I think that was very exciting and important to portray, that he has no hang-ups around the experience of pleasure, and he will take any opportunity to experience something beautiful, and I think he finds that in lovemaking. He doesn’t see the sense in limiting oneself of experience and pleasure, and I think that is very cool.

However, individuals from the queer community have expressed disappointment over the lack of label associated with Oberyn’s sexuality. While many simply do not like labels, others argue that Oberyn never definitively declaring the nature of his sexuality makes it seem like he is in some way ‘half-closeted’ and not truly willing to be associated with the bi or pansexual community. Many sources have him listed merely as gay, despite his clear attraction to women in addition to men. The bi and pan communities are seeking visibility and perhaps Oberyn’s on-screen actions are not enough to legitimize his (or their) sexual identity.

There has also been criticism over Oberyn’s characterization. He is not only incredibly masculine and hot-tempered (he is widely considered as one of the best fighter’s in the world), but he is very promiscuous with his sexuality. Many argue he is only two-dimensional for this reason. On top of this he is from a nation that has far different cultural values than that of most of the character’s on the show, and is viewed as an outsider. Again, bi/pan visibility may not be the same as promoting bi/pansexual identity, and to many the inclusion of Oberyn’s sexual tendencies might feel like a gimmick.

Alternative to these criticisms, a positive queer-centric dialogue has definitely been started by the introduction of his character. In my personal experience I can point to many of my straight, male friends who have fallen in love with his character despite their disconnect from queer culture. A community titled “GayForOberyn” has even formed on the website reddit and is filled with straight men discussing how Oberyn is making them question their sexuality. Well many in the community might be there out of mere appreciation for his suave personality and badass moves, I have perused the forum and even found a few posts were people have confessed that their crush on Oberyn has helped them come to terms with their bisexuality. When asked how he feels about his portrayal of Oberyn leading countless men and women alike to reconsider their sexual orientation, actor Pedro Pascal replied:

“That makes me feel wonderful. I think that that’s key to Oberyn. That he is the kind of person that is attractive and sort of breaks boundaries. He doesn’t play by the rules, so the fact that anyone would be attracted to him, no matter what their sexual orientation is, is very in line with the kind of character that he is. So I think that’s great.”

I think these conflicting viewpoints relate well to some of our in-class discussions about Caitlyn Jenner’s representation of the transgender community. Even if Oberyn doesn’t perfectly reflect the community’s struggle, he’s still an important presence. Shows like Game of Thrones thrive on being edgy and relevant (other examples in the show include cannibalism, zombies, incest, etc.) and while they may play up certain aspects of sexual identity, the visibility they allow for is not inherently good or bad but allows for a dialogue. Personally, Oberyn is one of my favorite characters, and at least in my own experience I cannot point to many other bisexual characters in any medium who have caused such a fan frenzy. At the end of the day everyone is different, so not every person in any of these communities is going to be completely satisfied by how an individual character represents their community as a whole, but the representation alone is a step in the right direction.

Chasing My Sexuality (Life)

Chasing Life, an ABC Family show mainly based around how the main character, April Carver, has cancer, has various subplots. One of them being about April’s younger sister Brenna and her continuous struggle to find herself and search for acceptance within the community. In the beginning of season one, Brenna discovers that she is bisexual. In early episodes when first discovering she is bisexual she meets a well-known, well-liked preppy lesbian named Greer. They hook up, eventually turning things into a relationship, and things get messy because Geer’s parents are set on getting her out of the ‘gay phase.’ So they break up when things got too complicated.

Later during season two, Brenna joins a LGBT+ group at her high school. When telling the group that she is indeed, bisexual, they make fun of her for it and say she’s attracted to whoever she feels like on any given day and that she’s just attracted to anything that walks, bringing out the bisexual stereotypes of that ‘they’re just not sure yet’ or that ‘bisexual girls are straight and bisexual guys are gay.’ Even when she tries explaining herself, another member of the group cuts her off explaining what happened when her ex bisexual girlfriend left her for a guy.

“I’m not going to apologize for my heart, okay?”

Although the one leader of the group seems to get it, no one else in the group does. While in a room full of minority groups, knowing how awful it is to be mislabeled, misrepresented and misjudged on sight, they do the same thing to her, expecting her to either be a lesbian or straight – bisexuality being out of the question. As that portion of the episode concludes, the leader of the group points out that there is a lot more to discuss about bisexuality, at that point, we meat an agender character who also feels that the others need to learn more about that as well.


This portion of the episode ties into Judith Butler’s gender performativity, in how gender is an ideal, in that when being attracted to someone, it should be one or the other, not both, or neither, or anything in between. Even in the end, when the agender character, Jerry, says that they need to explain what being agender is, proving that the group doesn’t understand nearly enough about the LGBT+ community. There is also a need to realize that gender is a fundamental concept that is for the most part, irrelevant. There isn’t a need in today’s society to define what gender you are along with your sexuality. Society needs to realize this and accept that it’s not just straight and gay anymore, there are so many more genders and sexualities that those need to educate themselves about.

Willow the “Slayer”

Most kids from the 90’s probably remember their favorite show being Catdog or All-that but I have to say that my all-time favorite is definitely Buffy the Vampire Slayer. It was a television show created by Joss Whedon and it lasted from 1997 until 2003. The show is mainly centered around the main character Buffy who is a vampire slayer. Her two best friends, Xander and Willow, help Buffy fight the vampires and deal with everyday teenage drama. In the first 2 seasons, Willow is a normal heterosexual nerdy girl in high school. She dates this man, Oz, who is a werewolf. He breaks up with Willow in college after feeling the need to get away and learn how to control his werewolf powers. While he is gone, Willow gets interested in witchcraft and joins the Wicca club on her campus. The club doesn’t want to practice actual magic but she meets a women in the club, Tara, that wants to practice magic just like Willow. The two get super close because of their similar interest and begin dating.

I chose this television show for the project because, even though it is fictional, the characters are very relatable and it was the first exposure that I ever had to queer culture. It represents queer culture by telling a story that is often not mentioned, especially in the 90’s. When it comes to sexuality, people tend to only think about homosexuality but forget about bisexuality or they just don’t take it seriously. Willow represents bisexuality and she does it in a positive light. Willow dated Oz and they had a good relationship. She honestly loved him and wanted to be with him forever so when he broke up with her she was beyond heartbroken. She then met a women with the same common interests as her and therefore fell in love with Tara. This showed that how bisexuality is a real thing and that bisexual people truly can be in functional, loving, caring, relationships. Since this could have been some people’s first exposure to queer culture, as it had been for me, it is important that it left a good representation.

In class we read Compulsory Heterosexuality and Lesbian Existence. The reading mentioned how our world looks at women. We believe that women are innately attracted to men and that women’s heterosexuality is not questioned. It was also mentioned in the reading that all people would be bisexual if they were not forced into categories. Willow perfectly disproves that women’s heterosexuality is not questioned and proves that people would be bisexual if they aren’t forced to be heterosexual. Willow was attracted to a man but her heterosexuality was questioned when she started having feelings towards Tara. Willow didn’t let society influence who she can love so she fell in love with a women which demonstrates that when she didn’t let the world influence her sexuality, she was truly bisexual.

The History of Pride Flags

The very first gay pride flag made its first appearance in 1978. The original flag had eight colors. Today’s gay pride flag has only six colors. Each of the colors represent a different aspect of life. The first gay pride flag was created by Gilbert Baker. He is an artist from San Francisco. Among the gay pride flag there is other pride flags that represent different pride groups. Some of these other pride flags are Leather Pride, Bear Pride, Bisexual Pride, Lesbian Pride, Transgender Pride, Asexual Pride, and Feather Pride. These are only a few of the other pride there is many more. The other main one that I want to focus on is the Bear Pride flag, because this was the next pride flag that was created. Craig Byrnes was the designer of the Bear Pride flag. He came up with the official design in 1995 as the bear pride community was growing. Each color represents all the different types of real bears all around the world.


(the flag on the left is the original 8 color flag and the flag in the middle is the present 6 color flag and the flag on the right is the ear pride flag)

Gay pride and bear pride along with leather pride are the top three pride groups that usually attend pride fests. In class we watched a short clip from “Where the Bears Are”. This is an internet show about the Bear pride community. It is a comedy mystery web series which won the 2012 “Best Gay Web Series”. It has become a big hit ever since it made its debut in 2012 with over 10 million hits. This show represents basically one group of gay men who are very hairy and have a larger masculine body structure. These men also usually have facial hair as well as chest hair. The Bear pride community has many different slang terms to describe what type of bear every man is that’s in the community. Another short web clip we watched in class was “Easy Abby”. This is a web series based on a lesbian who has a lot of girlfriends that she doesn’t remember when she runs into them after not seeing them for a little while after they broke up. Both web series are based on gay people weather they are men or women. Before other pride groups were formed and came up with their own pride flags they all would have originally used the rainbow gay pride flag to support their sexuality. But now each gay group has their own pride flag. there is a pride flag for transgender people, lesbians, straight, asexual, and many more different groups.


I chose to do my history archive on the history of the most common gay pride flags because not many people realize that there is more than just the original rainbow (gay) pride flag. Along with the gay pride flag being one of the most popular pride flags, the bear pride flag is also one of the three most popular pride flags as well. Bear pride has been growing more popular since 1995 when the official design of their flag was debuted to the community. No matter how many different gay pride flags there is the original gay pride flag (the rainbow flag) will never fade away because it is what has formed our community and shaped the future for other pride flags to come to gay groups that do not have a special flag of their own. We all share the original pride flag, but like to stand out with our own pride flag that represents who we truly are.



Born This Way

Lady Gaga is an eccentric, well-known pop artist whose career has never had a dull moment. She is known for her wild antics such as wearing a meat dress to arriving at an awards show in an egg, which she stayed in for seventy-two hours before coming out to be reborn on stage. Since the beginning of her career in 2008 Lady Gaga has won five Grammy Awards and thirteen MTV music awards for her hit songs like ‘Just Dance,’ ‘Poker Face,’ ‘Born This Way,’ and ‘Bad Romance.’ In addition to her music, Lady Gaga pours her heart and soul into supporting the LGBTQ community and fighting for their equality. When she is not on tour or writing songs, she is speaking at pride events, conferences, and being there for her fans which she calls her “Monsters.” For example, she spoke at the National Equality March Rally, the Gay Pride Rally in New York City, in Maine to repeal “Don’t Ask Don’t Tell” and many more across the United States.

Gaga has been and advocate and an icon for the LGBTQ community throughout her entire career, and she continues to use her fame and influence to fight for equality for all of the queer culture. Many of her songs like ‘Poker Face,’ ‘Born This Way,’ and ‘Hair’ refer to her sexuality and many of the struggles the LGBTQ community can relate to. The most controversial of these songs would be ‘Born This Way,’ because a lot of Gaga haters and anti-LGBTQ people were outraged by the lyrics. These naysayers believe that sexual orientation is a choice, which goes against the message the lyrics ‘Born this way’ stand for. Some people take issue with this song due to the reference to loving God, and they do not believe God approves of queer culture and therefore criticize her for putting them together. However, they do not speak for all religions, there are some religious communities that do not condemn queer culture. Although there were many objections to this song, Gaga also gained a lot of fans because the lyrics made a connection with people, and helped them realize it is okay to be different and to love yourself for who you are, because you were “born this way.”

“‘Born This Way’ is about being yourself, loving who you are, and being proud” – Lady Gaga

Some people argue that Lady Gaga is not truly queer, that instead it is an act she puts on to gain popularity and profit and therefore they do not think she should be an LGBTQ icon or advocate. However, Lady Gaga has come out identifying as a bisexual time and time again over the years. It is true she has only dated men, but she says she has always been attracted to females as well and has had many sexual relationships with women. Queer is an umbrella term for many different sexualities like gay, lesbian, bisexual, transgender, questioning and many more. Lady Gaga is queer, and she supports all of the queer community. She is not discriminating against straight people, her point is that not everyone is the same. There are straight people and queer people and everyone deserves love and acceptance. She advocates for queer equality which relates to the conversation in class about gender neutral bathrooms. They are similar in theory as both concepts make provisions to include not exclude. For example, in our discussion about bathrooms, we talked about how it is not about removing separate sex bathrooms, it is about adding a third option for gender neutral people so that everyone’s needs are met.

“Lady Gaga Is Queer. Always Has Been, Always Will Be” – Queer Voices

Another Lady Gaga song that supports my argument that she is a good LGBTQ icon, is ‘Heavy Metal Lover.’ This song is about one of her past relationships where they shared an interest in leather and BDSM. Throughout the song there are sounds of whips slapping, and lyrics like “Whip me slap me, punk funk, New York clubbers, bump drunk.” This type of sexual behavior directly relates to the film “Cruising” because they both have scenes in the leather bars in New York City where gay men in leather explored their sexuality. Also, BDSM is an aspect of queer or abnormal sexuality, which connects to Gayle Rubin’s theory of sex hierarchy with the “Charmed Circle.” Rubin used this circle to describe good, normal, natural, and blessed sexualities in the inner circle known as the “Charmed Circle.” The outer circle describes the bad, abnormal, unnatural, and dammed sexualities known as the “Outer Limits.” Lady Gaga advocates for the outer limits and for acceptance of different sexual expressions.

“There’s nothing wrong with loving who you are” – Lady Gaga

Mentioning the New York gay leather bars exemplifies her knowledge of LGBTQ history showing she has done her research and is part of the queer community. ‘Heavy Metal Lover’ is also another source of evidence that Lady Gaga is bisexual because her lyrics are gender neutral, meaning she does not show a preference for one sex over the other. In addition to demonstrating her knowledge about LGBTQ history, Lady Gaga reiterates her strong passion for the LGBTQ community by using “Baby we were born this way” in the song ‘Heavy Metal Lover.’ This use of repetition of ‘born this way’ once again emphasizes and proves Lady Gaga is a good LGBTQ icon, and ‘Born This Way’ was not a fluke or a publicity stunt.

“No matter gay, straight, or bi, lesbian, transgender life, I’m on the right track baby, I was born to survive” – Lady Gaga

As many of our classmates can vouch for, it can be very challenging living as queer in a world where not everyone accepts you. During a time of confusion, loneliness, and self-hate, I believe having the support of a pop star like Lady Gaga can only be seen as a positive, and in fact can be the light at the end of the tunnel for many that are struggling. At the end of the day, we need more people who accept us like Lady Gaga.








Appropriate Behavior

Appropriate Behavior is a film written by, directed by, and starring Desiree Akhavan. The film tells the tale of Shirin, a bisexual Iranian American women in her twenties, finding her way after breaking up with her first girlfriend, Maxine. Trying to bounce back from the broken relationship, Shirin attempts to move on with her life by finding a new job, exploring new sexual experiences, and finally buying a bra. Deciding whether or not to come out to a strict and traditional family contributes to Shirin’s daily struggle of moving on and finding happiness. The film jumps from present moment to flashback every few minutes it seems, but the catch up you play as scenes change put you in the same jumbled mindset Shirin is in. The flashbacks also make you feel as if you are going through the break up with Shirin. The opening scene show the lover’s separation, then as the movie goes along, Shirin remembers the good times she and Maxine had together: the first time they met, Maxine meeting Shirin’s parents, attending a Persian New Years party. And then the bad memories come flooding back: Maxine pressuring Shirin to come out to her parents, Shirin catching Maxine making out with a man at a bar, and actually breaking up. We see that Shirin has finally moved on when she tosses the strap-on dildo (the only item remaining from the relationship) away and can now handle seeing Maxine.

Desiree has been continuously compared to Shirin. They are both bisexual Iranian American women in their twenties/thirties raised by Iranian immigrant parents.  When Desiree wrote this screenplay she had just gone through a horrible break up and had just come out to her parents, two events that Shirin goes through in the film. It is easy to claim that Appropriate Behavior is autobiographical, but as Desiree points out in this interview, there is a difference between Shirin and herself.

“I think Shirin is all of my most absurd impulses explored, a bit like a choose-your-own-adventure. It felt like a heightened, absurd version of everything you would hope to do, but definitely know better than.”

Shirin represents Desiree’s id. Shirin is everything that Desiree would choose to do if it wasn’t for her superego telling her not to. Throughout the movie you can see that Shirin is the girl that does whatever she wants without worrying about the consequences. She asks a woman out right in front of her ex-girlfriend, randomly meets up with men from okcupid, and makes a movie about farts starring kindergarteners. While Desiree claims to be very shy and reserved. Desiree’s film id is Shirin, so Desiree’s film superego is Shirin’s brother, Ali. According to their parents, Ali has done everything right. He became a doctor, found a beautiful Persian doctor girlfriend, and is planning his wedding. In the article mentioned above, Desiree explained that she feels as if she does not belong in the groups she is a part of, yet she is still a part of them. The depiction of Shirin and Ali as the id and superego place Desiree as the place in the middle, the ego.

The sex scenes in Appropriate behavior help tell the story. You see Shirin in a variety of sexual encounters and Desiree’s goal was to show realistic and honest sex in her film. The match cut between Shirin and the okcupid man and Shirin and Maxine directly compares Shirin’s emotions and feelings in each different sexual experience. Shirin is obviously more into sex with Maxine and feels a stronger connection with her. Shirin’s emotional involvement is also visible in the threesome scene. When Shirin is with Marie they feel connected and enjoy each other, but with Ted, Shirin loses her interest and backs off. The sex scenes show Shirin’s desires (id) and her interest in embracing her sexuality. Through these scenes, we also see how Shirin connects with people and the relationships she has with them.

This film is thought-provoking and full of life. The deadpan humor is continuous throughout the entire film. The hilarious one-liners will stick with you. The storyline is relatable and keeps you hanging on to see the outcome of Shirin’s adventures. Desiree Akhavan tells this story beautifully and she is surely an artist to watch out for.

The Legend of Korra

The Avatar series currently consists of two animated TV shows: Avatar: The Last Airbender and The Legend of Korra. Each series features “benders,” who have special powers tied to an element, such as fire or air. The protagonists of the shows are Avatars, who can master bending all four core elements. They have supportive friends and go on adventures, battling enemies and often saving the world; however, this standard format for children’s animated action shows ultimately proves to be groundbreaking with its gender bending. Avatar: The Last Airbender aired from 2005 to 2008, and won 11 awards along with critical and consumer acclaim. The high quality animation and humor carried on to its sequel, The Legend of Korra, which won 15 shows and garnered similar critical acclaim.

Both shows aired on Nickelodeon, a children’s network with a target audience of children ages 6-11. The exceptions were the last two seasons of The Legend of Korra, which were released via streaming at Television viewing had declined to 1.5 million viewers from the average 3 million per episode, but with a large portion of viewers being outside the target audience for Nickelodeon, the show was more popular online.

Seasons one and two begin with very typical children’s humor, blatantly reinforcing some gender stereotypes:

Ending a relationship is like pulling off a blood sucking leech.”
-Mako (a man)

“Nothing [can save our relationship], that is, except marriage. We will wed at sunset. You may express your joy through tears.”
-Eska (a woman), while horror music plays

The show gets subtly more progressive. It makes light of anime style and how it can portray males and females as exact equals aside from adornment, which is necessary for distinction between them:

By portraying a set of mixed-gender twins by the same art but with eye shadow and hair ties on the girl, it introduces uncertain gender roles. Although this could be construed as perpetuating the idea that women must beautify themselves artificially, Aubrey Plaza’s deadpan humor as the female in the pair almost creates a parody by proving the twins to be far more similar to each other than to their prescribed gender roles. Season two continues the seemingly heterosexual nature of the show by revamping the love triangle among Korra, Asami, and Mako; Mako goes back and forth a couple of times between the women, causing discontent. Friendship proves stronger than the awkward love triangle, which ends with the season.

It becomes clear by season three that although there are strong male support roles, the leads and true heroes of the show are actually heroines. The most evident is Korra herself, who is a physically strong woman who fights in a team sport and in individual sparring matches to help her gain the stamina and willpower to save the world. Even the ever-submissive female, Julie, is lauded by the man who orders her around because he openly acknowledges that he cannot go anywhere without her. When they are separated, he misses her and her various talents dearly as he strives to do things for himself.

By the last season, we see a man who desires a job in which he would have a female superior, a woman being extraordinarily successful in business, a woman who, although she is the “bad guy” in the season, has essentially managed to take over an entire kingdom, and elderly women with mentoring and Yoda-like roles. Things that we don’t see are unrealistically heavily muscled men, women without useful roles, and damsels in distress, which are frequent in other children’s programming. We do see an entire episode of a woman recalling her heroic journey as a man recalls his romantic past, which is a refreshing gender role switch, and not very subtle. We also see a woman, Julie, standing up to her boss by demanding fair and equal treatment; she is no longer happy doing his bidding without his full respect. She gains this respect, and with it, an engagement ring. The most poignant moment in the entire Legend of Korra show, however, is the last scene:

Mimicking the final scene from Avatar: The Last Airbender, this finale launched The Legend of Korra into cartoon history. In the former show, the Avatar and his romantic interest kiss; however, the other parallels between the scenes allowed the fans to fill in the lapse themselves by creating Korrasami via fanart. Thus this children’s show features two women whose sexuality is fluid, even though it is not blatantly stated, which I believe earns The Legend of Korra a spot in this archive.