October 29

CHROMAKOPIA-Tyler the Creator’s new iconic project

Genre-Newsworthy Post

On October 28th, 2024, Tyler the Creator released his heavily anticipated album, his first in 3 years, titled CHROMAKOPIA. With 14 total songs including samples from a variety of sources, and a talented feature list (including Childish Gambino and Daniel Caesar), this album certainly fulfilled expectations. To see how, we have to get into breaking down the music. Lets do it!

The Album

Tyler the Creator’s CHROMAKOPIA opens with two songs which follow on genre with his previous work. St. Chroma and Rah Tah Tah. The almost rough, vicious lyrics and tone Tyler brings back once again, (seen within songs such as NEW MAGIC WAND), grounds returning Tyler fans and allows him to flow into more of his experimental tracks of the album.

In Take Your Mask Off, Tyler touches on some heavy subjects, such as conservative Christians common reductionist views regarding LGBTQ+ rights, but also brings up the controversy regarding some Christians hiding their sexuality from their common nuclear families (Genius).

In Hey Jane, Tyler wonderfully crafts a story regarding two partners struggling with their complex feelings regarding an unexpected pregnancy. First he speaks from the view of T, (a potential allusion to himself), remarking on how “Hey Jane, I’m terrified, petrified” and “Look, Jane, it’s your choice at the end of the day, Just know I support either way, no pressure.” This debate over an issue of an unwanted pregnancy and a potential abortion is a current “hot topic” with the ever changing nature of abortion rights in the United States. This decision is clearly two-fold, and Tyler represents this in the second half of the song, where a woman named Jane talks about how “I’m scared to tell my momma” and “no matter the decision or day, I just want us to be cool either way, No pressure.” The emotion Tyler brings to both of the individuals verses is potent, as his clever lyricism is put on display as he crafts an excellent story covering a tough issue. (The title of the song is also an abortion clinic, layering on another element of clever song crafting from Tyler).

My Personal Perspective

I personally have not listened to a large portion of Tyler the Creator songs, and mainly have hit on his historic records that have received notoriety. (LUMBERJACK, EARQUAKE, SORRY NOT SORRY, etc.). However, in listening to this album in total, I was incredibly impressed with all of Tyler’s unique elements and style which he brought to every song. There were plenty of moments when simply hearing the instrumentals or realizing some of the meanings to each song (especially within Take Your Mask Off), I could only say “Holy shit”.

Why Should You Care?

This new album from Tyler the Creator is certainly impressive, and whether or not he was distracted by purses in the studio (link), he managed to create in my opinion, a strong album, representative of his diverse talents. Whether you are a die-hard Tyler fan, or have never heard his work before, I think taking some time to experience the impressive work will not be wasted. Have a great day and enjoy!

Sources:

https://genius.com/33424426

October 22

A favorite TED Talk of mine and Unit Two Ideas

For this week, I selected a TED Talk titled “Inside the Mind of a Master Procrastinator”, from Ted Urban. I remember seeing this TED Talk when I was in 8th grade and when the task of choosing a TED Talk, this immediately came to mind. Ted Urban shares a hilarious story of writing his 80 page thesis paper in college and procrastinating till the last three days. Beyond that, he includes great moments of humor and audience engagement through his usage of key images to represent his main point, that of how a procrastinators mind works. By making these images appealing and digestible to the audience, along with his key usage of self-deprecation, Ted Urban makes his point clear and most importantly, his talk recognizable. Oftentimes, when I describe this Ted Talk, people may remark something like, “oh is that the one with the monkey and the wheel?” and that highlights how certain key parts of his talk stick with viewers the most. I think the biggest takeaway from this talk is the importance of focusing on audience digestibility when looking at planning your talk, because even if to you, the message is well thought out and powerful, if the audience cannot understand it or remember it clearly, all is lost.

Unit Two Ideas

So far, my ideas for the Evolving Ideas Research Paper have revolved around the concept of War and it’s impact on innovation. The two dominant ideas I have currently that I am considering is the idea of transportation and how overtime technology and cultural beliefs have shaped the way we view travel and trips. (Expanding world, new access to being able to travel quicker and farther, and how did that happen and why?). My second idea is tied more directly within war and looking at how major conflicts (combined with technology) have shifted the ways we fight wars. I plan to start around just before WWI and look towards this modern era and beyond in order to fully grasp the change that has occurred throughout time. I think the paper and talk would cover both the technological impacts (such as the developments of jets and other military technology), along with how the general viewing of the strategy of war has changed throughout time. (Trench warfare->modern era). I believe I am currently attached more to the first idea, because writing so much about specifically war is not generally my thing and I am more interested on the nuanced elements of society which have been impacted by war without our realization.

October 22

Kanye West’s Graduation and the practice of separating art from the artist

Genre: Roundup Post

This week we are covering Kanye West’s 2007 album titled Graduation. Obviously with the surrounding controversy of Kanye’s actions in recent years, it would be insensible to ignore his presence and future actions when reviewing this album. Thus, I will be breaking the post into three sections, Album review, Kanye’s Actions and Separating Art from Artist. Let’s get into it!

 Album Review

Graduation is a 14 song, 54 minute collection of tracks which tap into elements of Hip Hop, R&B and other genres. Kanye released this album after dropping out of college, and throughout the project taps into themes of growing up, defying expectations and overall paints a vibrant picture of a young and carefree life. With features from Lil Wayne, T-Pain and Chris Martin (from Coldplay), each song taps into strong emotional expressions, with a joyful and positive tone expressed passionately in songs such as Good Life or Homecoming. In Good Morning and Champion, Kanye touches on his decision to drop out of college, remarking on how his graduation was “when you make it up out of the streets” and how “look at the valedictorian, scared of the future while I hop in the Delorean”, stating how following the path that supposedly brings you success may be more deceiving that people realize. With iconic beats and instrumentals on songs like I Wonder and Flashing Lights, Kanye West’s Graduation became a timeless album which is considered by many as one of the greatest Hip Hop albums of all time.

Kanye’s Actions

Most recently in the past two years, Kanye West has faced a large degree of fallout specifically regarding his actions in spreading hate speech towards the Jewish community and Black community respectively. From wearing a shirt with the phrase “white lives matter” (a problematic response aimed at discrediting the Black Lives Matter movement) to claiming he should go “death con 3” on Jewish and praising Hitler (NYT), the genocidal maniac who was the driving force behind the Holocaust. These actions have deservedly resulted in strong backlash, including the loss of many sponsorships totaling over 600 million dollars, along with verbal responses from other key members of the music community. (NYT)

Separating Art from Artist

When it comes to the issue of Kanye West, I feel as a listener it is important to recognize the polarizing figure that Kanye West is, but also follow the important practice of separating art from artist. Kanye West has over a period of almost two decades released a dynamic body of work which to many has an argument to be the greatest of all time. To disregard those achievements would be a mistake, and to claim that people cannot listen to his work at all would be in my opinion an overstatement. If Kanye West released a song where he used demeaning or damaging remarks towards a community, obviously playing that song in public should be considered problematic. But to limit people from enjoying his impressive work simply because of his problematic actions in my opinion greatly limits peoples chances to expand their musical palette. (Another example of this is XXXTentacion, who made a lot of personal decisions that were problematic, but in my opinion, released some very impactful and impressive work that should still be appreciated regardless.)

Sources:

https://www.nytimes.com/article/kanye-west-timeline.html

October 17

What classifies as “art”? Why Damn by Kendrick Lamar should have won a Pulitzer, or why it maybe shouldn’t have

Genre: Controversial debate post

In 2017, Kendrick Lamar released his 7th album, titled DAMN. The album was met with a large amount of both public and critical acclaim, and to many, the album even went as far as to be considered as a brilliant “work of art” to some. This includes the Pulitzer Prize committee, who in 2018 awarded the album a Pulitzer Prize. For some, this marked an important accomplishment for the African American community and showed a changing of opinions and commonplaces. For others, this singular decision impacted the very nature of the Pulitzer Prize and represented nothing more than a “token” decision to push a narrative. So what do you think? Let’s hear what both sides have to say

The Pulitzer Prize should have been awarded for DAMN.

DAMN. is an incredible album which has so much effort and cultural significance needs to be recognized

The album and story Kendrick tells is nothing short of brilliant, and to consider it “art” is a fair designation

The Pulitzer Prize is attempting to change their ways and show their growth as a group, and that should at the very least, be accepted as valid.

The Pulitzer Prize should not have been awarded for DAMN.

The Pulitzer Prize section for music is often historically reserved for classical music, an underrepresented and under appreciated section in this modern era, so changing this tradition targets a specific group.

The Pulitzer Prize had been out of the limelight for a long time, so it is possible the committee attempted to put themselves back into the limelight by following popular trends

The award in some ways feels more like a recognition that the Pulitzer Prize committee is trying to commit some fan service, but in a way a middle age dad would. (hey guys, I’m cool, I heard that new Kendrick “joint” (ew dad don’t say joint, please)).

All in all, there are plenty of reasons on both sides why people argue so strongly for or against DAMN.‘s recognition, but while the past can change you, you cannot change the past. Regardless of whether or not you believe Kendrick Lamar deserved the Pulitzer Prize, I hope you have either already checked out the lyrical masterpiece of DAMN., or plan to in the future, because it truly is a masterpiece.

Sources:

https://www.pulitzer.org/winners/kendrick-lamar

https://www.reddit.com/r/classicalmusic/comments/8cql8k/kendrick_lamar_wins_pulitzer_prize_for_damn/ (to gather a varied number of opinions (I know reddit is not a strong source))

October 16

Speech Reflection

Speech Link

The speech crafting process I underwent was slightly unique, due to my assumption that the essay was due along with the speech, so first I wrote a 5 page essay proving my points with strong analysis, and once realizing the error of my ways, I attempted to shorten the essay into more of a speech format. Once this was done I ran through and made some final edits and then attempted some trial runs of my speech. During this process I either noticed sentences that would trip me up, or even adjusted the ordering of my thoughts/artifacts in order to perfect the final product as much as I could. Overall I enjoyed this whole assignment, I just hope next time I am more aware that the speech and essay are due at different times so that I can approach the two processes differently.

Throughout my process of crafting my speech, I spent a long time refining my specific argument, and I believe I did a good job of giving context to help place the reader strongly within the time period, and then was able to provide a subsequent convincing argument. I also believe my analysis of the artifacts was strong, especially in regards to Ethos, Pathos and Logos. Finally, I believe a good job in terms of presentation in regards to varied tone and hand movements. This is especially due to the fact that I have a background in Mock Trial and therefore performing shorter persuasive speeches are not unusual to me.

I think I have room to grow in terms of my analysis under lenses specifically, and I also was interrupted by my roommate entering the room during my final take, but I believe I handled it well and decided to run with it as the final result.

October 9

Rhetorical Analysis Essay and Speech Outline

Essay:

Yes! How one moment defined the progression and viewing of women’s sports for decades to come.

In the modern era, women’s sports is burgeoning, from superstars like Caitlin Clark defining a new era in the WNBA, to dominant performers who always deliver, such as Simone Biles. However, a quarter of a century ago, this wasn’t the case. The WNBA was not founded, and neither was the NWSL. For many extremely talented female athletes, the best moments to show off their talents were limited to global stages, such as the Olympics, or in this case, the World Cup. However, one singular moment, when Brandi Chasten celebrated her World Cup winning penalty, stripping off her shirt in celebration, defined the viewing of women’s sports and also, what they are capable of. This issue is still present within society, as one of the UN’s 17 sustainable development goals is reaching gender equality (Ballreich), and Chaistain’s decision and the following discourse regarding it, marks as one of the pivotal moments in changing the narrative regarding female athletes. Represented in the Sports Illustrated cover, a direct challenge was raised to the commonplace of women sports at the time. This moment, and magazine cover demanded the viewers to change their views, and no longer think of women’s athletics as secondary, but rather a growing competitor, to male athletics. The magazine titled, “Yes! Why Brandi Chastain and the U.S. Women’s Soccer team Were Unbeatable” highlights a moment which challenged the commonplace of Women’s ability and marketability within sports at the time and helps to show how this moment spurred a discourse with a wide variety of views. The magazine’s almost instant coverage of the event made this relevant issue a hot topic, appealing to its kairotic nature, and helped to grow a discourse surrounding equality at the time. So why was this moment so impactful, and what this magazine and moment do to help inspire change?

To truly understand the value these artifacts and moments hold, it is important to understand the situation at the time regarding women’s sports, and specifically Women’s soccer. As previously mentioned, there was no professional league for women’s soccer, and the U.S. team was really the only stage for female soccer athletes to show off their talent. Support was limited however, as FIFA, the organization tasked with running the World Cup, originally planned to host the games in 10,000 seat stadiums. This was not unprecedented, as the previous Women’s World Cup hosted in Sweden averaged a total of 4,316 fans per match. However, with the U.S. team deliberately running marketing campaigns to drum up excitement, fan attendance never dipped below 50,000 for a U.S. game. (Edler). The World Cup final culminated at the Rose Bowl, where the United States took on China in a classic match. The game went to penalties, and with the United States and China tied at 4-4, Brandi Chastain stepped with the fate of the game on the line. With over 40 million viewers at home, (Edler), this moment offered an opportunity for Brandi and U.S. soccer to change the narrative. At the time, the understood idea was that women’s sports and female athletes were secondary in skill and talent when compared to their male counterparts. Women had historically been stereotyped as quiet and unassertive, and therefore their ability in sports was quite undermined by this commonplace. However, with millions of eyes watching the final, and this being the most attended women’s sporting event in U.S. history (until 2023, when Nebraska volleyball broke that record) (Edler), finally female sports was given a stage to show their talents to an adequate audience. With this opportunity in her hands, (or rather at her feet), Chastain delivered a majestic penalty, winning the game for the United States in dramatic fashion. In celebration, she stripped off her shirt, in what became an iconic moment, as it had been done before by male soccer athletes, this action was extremely uncommon for female athletes. 

This picture of Brandi celebrating with unbridled passion and joy was captured in a Time Magazine cover, titled “Yes! Why Brandi Chastain and U.S. Women’s soccer team were unbeatable”. This magazine cover helps to provide insight regarding the impact of this moment when considering the situation at hand. Firstly, female athletes at the time were often underrepresented within the media due to the lack of perceived attention they received or deserved. Challenging this commonplace, Time Magazine is an established news source appealing to the ethos and credibility. Secondly, the picture chosen as the cover was the exact moment Brandi was celebrating, with this “controversial” action of her removing her shirt being presented as the cover of the magazine, regardless of how you feel about it, it would trigger a feeling of emotion at the time, likely either pride or shame. Finally, this magazine was released less than a month after the World Cup, appealing to its kairotic nature. With all of this in mind, this artifact clearly chose to represent the moment most scrutinized on the front of the magazine, and with a celebratory title, the intention is clear regarding Time Magazines decision to highlight the Women’s team achievement, even going as far to call them “Unbeatable.” This glowing review of their ability and already mentioned highlighting of Chastain’s celebration as positive attempts to both show the reader what is possible for female athletes, and challenge their preconceived notions regarding the issue as a whole. Unfortunately, as this issue was complex and challenged a commonplace at the time, there were a wide variety of views that were presented, including ones that were less positive regarding the whole event.

Comparatively, a news article was released by Democrat and Chronicle, a Rochester, New York centered paper, where they questioned the true impact of the victory. Firstly, the section is titled “United States team comes through for their fans.” The usage of “their fans”, helps to represent a clear bias on the side of the reporters. Rather than describe the large crowd drawn to the historic event as the “American people” or simply “Americans”, the Democrat and Chronicle chose to rather describe then anonymously as “fans” of Women’s American soccer, which as mentioned previously, cannot be confirmed, (the large influx of attendance featured a wide variety of fans, many who were newly attracted solely for the purpose of this final), and this also undermined the impact of the achievement on American citizens in general, rather leaving the celebration to a specific group (“Fans of Women’s American soccer). Moving down the article, the next section is titled “Winners on the field; losers in ad game.” Throughout this section the author first compliments the nature of the achievement, reflecting on the Women’s World Cup “enjoying the most fanfare of any women’s sporting event in history”, however it quickly shifts in tone, questioning not only the legitimacy of the impact on women in America, but also casts doubt on future progress. Key language throughout this section, such as below the photo of Brandi Chastain (“Brandi Chastain (6) may have been yesterday’s hero, but she’ll probably have trouble scoring many endorsement deals”) really highlight the complexity of the issue as there were many who while recognizing the accomplishment from the women’s team questioned the true future impact. This represents the issue that many have, being resistant to change and holding on to commonplaces. 

The first magazine decided to take this moment and turn it into a celebratory recognition of these women, while the newspaper attempted to downplay the moment. This wide variety of views held at the time regarding women’s sports is important to be recognized even in today’s society, as it shows the true nature of what was accomplished from these female athletes, overcoming commonplaces and stereotypes to reshape the narrative, and paving a brighter future for talented women of tomorrow. 

 

Here are the artifacts if you are interested

United States beat China to become the 1999 FIFA Women’s World Cup champions

Usa Brandi Chastain, 1999 Womens World Cup Final Sports Illustrated Cover Art Print

^Used for speech

Speech Outline

Introduction

In the modern era, women’s sports is burgeoning, from superstars like Caitlin Clark defining a new era in the WNBA, to dominant performers who always deliver, such as Simone Biles. However, a quarter of a century ago, this wasn’t the case. The WNBA was not founded, and neither was the NWSL. For many extremely talented female athletes, the best moments to show off their talents were limited to global stages, such as the Olympics, or in this case, the World Cup. However, one singular moment, when Brandi Chasten celebrated her World Cup winning penalty, stripping off her shirt in celebration, defined the viewing of women’s sports and also, what they are capable of. This issue is still present within society, as one of the UN’s 17 sustainable development goals is reaching gender equality (Ballreich), and Chaistain’s decision and the following discourse regarding it, marks as one of the pivotal moments in changing the narrative regarding female athletes. Represented in the Sports Illustrated cover, a direct challenge was raised to the commonplace of women sports at the time. This moment, and magazine cover demanded the viewers to change their views, and no longer think of women’s athletics as secondary, but rather a growing competitor, to male athletics. The magazine titled, “Yes! Why Brandi Chastain and the U.S. Women’s Soccer team Were Unbeatable” highlights a moment which challenged the commonplace of Women’s ability and marketability within sports at the time and helps to show how this moment spurred a discourse with a wide variety of views. The magazine’s almost instant coverage of the event made this relevant issue a hot topic, appealing to its kairotic nature, and helped to grow a discourse surrounding equality at the time. So why was this moment so impactful, and what this magazine and moment do to help inspire change?

Mostly rough notes I will be basing my argument off of, I don’t really prefer to have a direct script for these sort of things.

Intro/Context + Clinton Photo

Delve into first artifact and analyze with the understanding of commonplaces at the time.

Kairotic nature-both made less than a month after the game, kairotic moment for women’s sports, tie into how they had to drum up funding

Be clear in what the Commonplace was-women have less ability in sports, not represented in popular media at the time

Ethos-sports illustrated magazine established news source

Pathos-Due to it’s controversial nature it spurred reaction from both sides.

Logos-not really existent

Representation as an issue, why choose this moment to be represented as the cover?

Delve into second artifact, and analyze how comparatively it paints the women in a different picture

Also that women are able to do the same thing as males, despite not being in the sport as long

“Came through for their fans”, analyze specific language, why not came through for their country, circumscribed, very connected to the questioning of can you bring this to a world’s stage, Didn’t come through for the American people but their fan’s, almost questioning the existence of fans

Language also questions the longevity of the impact.

Deliver your speech as if it was your opening statement-think back to Mock Trial

First cover the situation at the time in women’s sports, then go into the moment (Clinton), then analyze the artifact, compare to the other artifact and sum with theme.

Similar to essay but shortened and more persuasive.

October 9

Glory Sound Prep-Jon Bellion’s Sophomore Studio Album

Welcome to King’s weekly music reviews, where you don’t need to be a music fan to read, but it certainly helps! Returning to a familiar name, we have Mr. Jonathan Bellion back again! If you cannot tell already by the repeat appearance, Jon Bellion is my personal favorite artist and I always take joy in diving deep into his work. With instrumentals silky as sheets, and a wide variety of realms Jon tapping into on this album, it is a wealth of information to get into, so let’s do it!

Conversations With My Wife, JT and Let’s Begin (Ft. B.Keyz, Roc Marciano, RZA and Travis Mendes) are the opening tracks to the album, and each tap into very different realms of music. Within Conversations With My Wife, Jon Bellion shares a new outlook on life, speaking how “Who the fuck cares about these plaques on my wall? You’re still the only thing I’ve done right” and “They’ll say that I fell off, and it’s alright.” This album was released in 2018 and marked a 2 year break from a studio album being released. Behind the scenes Jon is dealing with struggles with his label and receiving a low proportion of revenue as compared to the company that signed him, something he speaks on briefly in his Glory Sound Prep Documentary. He shares how thankful he is for his wife, and that the connection he shares with here is what truly matters at the end of the day. JT, the next song, carries with it the standard Jon Bellion feel, with a groovy instrumental and catchy hook. That element is shared with Couples Retreat and Cautionary Tales, two later tracks on the project (and my personal trio of favorites from the album).

If you remember from my previous covering of Jon Bellion, he is known for expressing difficult subjects within his work and that is something that is certainly covered on this album as well in another trio of songs. Within Stupid Deep, Jon questions what will fill the hole in his heart, and questions everything he’s ever known. In Blu, an anxious Jon is struggling to open up to his partner and trying his best to accept the uncertainty in love. Finally, in the closing track, Mah’s Joint, Jon shares the struggle he feels as his grandmother suffer’s from dementia and watching his own mother deal with it. These breaks in the album allow for Jon to truly connect with the listener, and especially within Mah’s Joint, as the 8 minute track ends on a hopeful note and a almost scream of appreciation for all mothers out there.

The other collection of tracks are only grouped together because they are so unique. Let’s Begin, The Internet and Adult Swim all represent great expressions of musical talent from Bellion, as he shows off his lyrical talent through rap in Let’s Begin and Adult Swim, and covers how technology may be more dangerous than we think in The Internet. 

All in all, just as with a majority of JB’s work, I love it and this album. I would recommend anyone reading this to check it out, if of course you have time. Have a great day y’all.