Module 5
Postmodernism has been around for a long period of time. Starting in the 1960’s, it is one of the few theories that has been with artists for around a half century. People say Postmodernism is dead now, whereas I think that each theory/movement/style is a reaction to a previous one. In contemporary terms, Pomo evolved into an “updated version” instead of completely “dying”, just like any other previous movement. At the same time, we would definitely not define Pomo as a contemporary condition because of the immense changes happened in the last half-century!
The events which started happening at the dawn of the 20th century caused a shift, or I would even say a crucial “update”. In his article The Death of Postmodernism And Beyond, Alan Kirby says that “…somewhere in the late 1990s or early 2000s, the emergence of new technologies re-structured, violently and forever, the nature of the author, the reader and the text, and the relationships between them” (philosophynow.org). Moreover, the rate of change has accelerated exponentially. Not only the invention of the Internet and new technologies, but also events such as 9/11, war of civilization, “dot-com bubble” in the U.S., globalization, etc. caused a possibility of a new (perhaps “officially unnamed yet”) state we live in.
I don’t believe we need Post-postmodernism. If Postmodernism is a rejection of Modernism, does it mean that Post-postmodernism is a return to Modernism (two negatives resolving to a positive)? Certainly, it is not the case which makes me think why should we call our times Post-postmodernism and associate it with Modernism in general? Perhaps, our descendants would create another “names” in not too distant future, and hopefully they would not call themselves as “post-post-…-postmodernists”.
I enjoyed reading the article of Daniel Green called Pre and Post Post-Modern: Art in a Globalized World, which states that “much art after postmodernism attempts to create an experience, and typically one not purely visual” (thinkingofnew.blogspot.com). I completely agree with this statement since I have noticed myself that the majority of art nowadays attempts to create an experience rather than simply “showing” a piece. The perception and evaluation of visual art has changed tremendously since emerging of the Internet. Even though direct visual experience is not comparable with digital, still everyone today has a chance to go online and “visit” any exhibition without leaving his/her room. Too many things became publicly available which caused a shift in aesthetic appreciation.
As an example, the exhibition called AllTURNatives: Form + Spirit 2017 I visited back in September (see Gallery #1 Photo Essay as of 09/21/17) featured a work of seven contemporary artists, who were able to create a fun experience for a viewer. Their work provided visual, audible, tactile, and other sensory experiences which encouraged visitors to explore the importance of direct interaction with a piece.
Daniel Fishkin, the inventor of the Daxophone, was one of those seven featured artists. His famous sound installation Tinnitus Suites investigates the aesthetics of hearing damage, which cannot be described just visually.
(dfiction.com)
This picture does not really explain anything to a viewer. Similar to Green’s conversation about Phillipsz’ Lowlands, Fishkin’s Tinnitus Suites “ is an experience which can be represented but not reproduced”.
(vimeo.com)
To sum up, postmodernism is an important theory in art. Whether post-postmodernism is needed or not, our time is the time of change. The culture and technology, as well as art in a modern world, have ever changing trends that cannot and must not be predicted. Pomo comes with the “death of meaning”, “death of art”, skepticism, irony, distrust of the grand narrative, and so on. As a result, “the death of the death of art” has washed over the past and created its own universe, perhaps officially unnamed as of today.
WORK CITED:
Kirby, Alan. “The Death of Postmodernism And Beyond.” Philosophy Now: a Magazine of Ideas, Alan Kirby, 2006, philosophynow.org/issues/58/The_Death_of_Postmodernism_And_Beyond.
Green, Daniel. “On The Contemporary.” Pre and Post Post-Modern: Art in a Globalized World, Daniel Green, 12 Sept. 2011, thinkingofnew.blogspot.com/2011/09/pre-and-post-post-modern-art-in.html.
Fishkin, Daniel. “Composing the Tinnitus Suites (2014).” D. Fiction, D. Fiction, 2017, dfiction.com/composing-the-tinnitus-suites-2014/.
Fishkin, Daniel, director. Composing the Tinnitus Suites: 2014 (Excerpts). 28 Mar. 2014, vimeo.com/90383414.