Rising Sea Levels, a Climate Change Issue

Climate change is an issue that is most commonly known for its increasing global temperatures, but other possibly more detrimental side effects such as rising sea levels, an increase in droughts and heatwaves, and stronger hurricanes are just as possible. Rising sea levels in particular is a concerning issue because of how much of the population lives on or near the coast. About 40% of the world’s population lives within 100 kilometers of the coast, and about 30% of the U.S. population lives in coastline counties.*

Yet again though, like with a lot of political issues, the argument does not reside within the actual intricacies of the problem itself, but whether or not the problem is worth worrying about right now. Democrats believe that rising sea levels is a serious issue that we should address as soon as possible, whereas Republicans believe that there are other more important issues worth worrying about.

A potential scenario of future sea level rise in South Beach, Miami, Florida, with a global temperature rise of 2C.
Potential scenario of what rising sea levels would look like in Miami.**

The almost unanimous decision amongst climate scientists is that climate change is an issue that needed addressing years ago. With rising sea levels, on the other hand, it is a problem with many solutions that all have completely different timeframes. For example, a solution such as vacating the entire coastal population would obviously be the best in terms of being the safest, but would most likely require decades of planning and decades of enacting the evacuation. A solution such as making a city flood-proof seems much more feasible and realistic but would have its own problems.

A few years ago, a hearing from the Senate Energy and Natural Resources Committee was held to discuss the future of rising sea levels, the severity of it, and how to deal with it.*** Chairman Bingaman had hoped that the hearing would incite a new national conversation about climate change and the problems associated with it, but he said that instead it only highlighted the partisan divide on the issue. The hearing had 5 Democrats in attendance and just 1 Republican in attendance showing the priorities of each party. Climate Central’s Ben Strauss believes that coastal counties are already dealing with the effects of rising sea levels and that the federal government should “support adaptation and mitigation efforts.”***

Chairman Bingaman***

Not only is the coast home to around 30% of the U.S.’s population, but it is also home to over 300 energy facilities that remain less than 4 feet above sea level and over 100 nuclear power plants. Flooding would be disastrous to the U.S.’s sources of energy.

Although the U.S. in the past few years has managed to come together in agreement on the harsh reality of climate change, proposing actual solutions to the effects of climate change is another thing. Similar to most of the problems in our country, legislation tends to get held up in the process due to this partisan divide.

Understandably, Republicans would be opposed to a coastal evacuation because of its exuberant cost and insane timeframe. A solution that both parties would be more likely to agree on would be making coastal counties and cities flood-proof. For example, in Jacksonville, their current infrastructure is not designed to withstand a four-foot flood, which is extremely likely to happen within the next 20 years.

The most important thing that happens within the coming years, though, is that the U.S. government comes to a consensus on the proper legislation to pass. Too much time is spent by each party attempting to get solely what they want. Climate change and its catastrophic effects aren’t waiting for anyone.

 


*Bureau, U.S. Census. “94.7M Americans Live in Coastline Regions.” The United States Census Bureau, August 18, 2020. https://www.census.gov/library/stories/2019/07/millions-of-americans-live-coastline-regions.html#:~:text=About%2094.7%20million%20people%2C%20or,a%2015.3%25%20growth%20since%202000.
**“Sea Levels Set to Keep Rising for Centuries Even If Emissions Targets Met.” The Guardian. Guardian News and Media, November 6, 2019. https://www.theguardian.com/environment/2019/nov/06/sea-level-rise-centuries-climate-crisis.
***“Surging Seas Sea Level Rise Analysis by Climate Central.” Senate Hearing Focuses on Threat of Sea Level Rise | Surging Seas: Sea level rise analysis by Climate Central. Accessed April 22, 2021. https://sealevel.climatecentral.org/news/senate-climate-change-hearing-focuses-on-sea-level-rise/.

Electronic Records

Velocity : Design : Comfort

Sweet Trip

Cover art for Velocity : Design : Comfort by Sweet Trip

Sweet Trip is an electronics group that helped to revive the glitch pop genre with their seminal release Velocity : Design : ComfortVDC is the perfect combination of well-produced IDM and melodic pop, and the album cover perfectly reflects this. Not only do they perfectly combine melodic pop and IDM, but they also borrow elements such as guitar walls and blown out drums from shoegaze.


drukqs

Aphex Twin

Cover art for drukqs by Aphex Twin

Aphex Twin is possibly the most important electronic artist of our lifetime. With every release, he redefines the genre and has inspired many advances in IDM. drukqs is probably Aphex’s most defining release featuring cluttered and chaotic tracks such as “Vordhosbn” and acoustic piano tracks with an emphasis on melody such as “Avril 14th.” The production on this record sounds extremely crisp and precise. Although the flow between each track feels sometimes abrupt, you will hardly notice the transitions as this record puts you in a deep trance.


Blade Runner

Vangelis

Blade Runner - Cover art

The Blade Runner OST is probably my favorite soundtrack of all time. Each song feels so immersive and atmospheric. Most soundtracks have trouble being relevant outside of the film itself, but the Blade Runner OST could stand strong as its own release. Blade Runner is always praised for being such a realistic depiction of the possible dystopian future: depressive, hopeless, yet still technologically advanced. The soundtrack is a perfect representation of this dystopian nightmare.


Violator

Depeche Mode

Violator - Cover art

Depeche Mode’s Violator is the antithesis to Sweet Trip’s Velocity : Design : Comfort. While still being glitch-pop, Violator leaks into the darkwave area with its more gloomy atmosphere and somber nature. The tracks found in Violator feel a little more radio-friendly and rely heavily on classical song structure.


Discovery

Daft Punk

Discovery - Cover art

The iconic duo Daft Punk is often credited with bringing the electronic genre to the mainstream. Their seminal album Discovery is one of the most important electronic and house records of this century and still remains highly relevant today, even in the mainstream. Songs like “One More Time,” “Harder, Better, Faster, Stronger” and “Digital Love” are the peak of the house genre because they nail the energetic and party characteristics so well.


Selected Ambient Works Volume II

Aphex Twin

Selected Ambient Works Volume II - Cover art

Most electronic music is known for being high-energy and upbeat, but Selected Ambient Works Volume II diverges as far from that as possible. Unlike his other albums, Aphex Twin dives full fledge into ambient music and manages to create music that is just as hypnotic yet meditative and melancholic.


 

Sufjan Stevens

Sufjan Stevens is an artist who never ceases to amaze me. His multi-instrumental ability and talent in creating immense orchestrational pieces are matched by very few. He has released 8 studio albums and has received multiple nominations for academy awards and Grammys.


Illinois

Sufjan Stevens: Illinois Album Review | Pitchfork

The fifth studio album from Sufjan Stevens was released in 2005 and quickly grew in popularity, scoring many spots on popular music magazines’ best of the decade list. Considered by most to be Sufjan’s most consistent and put-together release, Illinois is a concept album featuring allusions to people, places, and events relating to the state of Illinois. The album features grand orchestral arrangements and long-winded songs with hilariously long names such as “Come On! Feel the Illinoise! (Part I: The World’s Columbian Exposition – Part II: Carl Sandburg Visits Me in a Dream).” Each song is accompanied by a choir and string quartet to give off this lush and melodic feel. “John Wayne Gacy, Jr.”, a high point on the album, tells the story of a serial killer born in Illinois who murdered and sexually assaulted at least 33 young men and hid 26 of the bodies in the crawl space of his home. The chill and pleasant nature of the instrumentals contradicts the grotesque story to create an unsettling and eerie atmosphere.

And in my best behavior
I am really just like him
Look beneath the floor boards
For the secrets I have hid


Carrie & Lowell

Sufjan Stevens: Carrie & Lowell Album Review | Pitchfork

Carrie & Lowell was released 10 years later in 2015. Carrie & Lowell is essentially Sufjan’s autobiography depicting his life from childhood while focusing on the relationship with his parents, Carrie and Lowell, specifically his mother Carrie. Sufjan had a difficult relationship with his mother, who neglected Sufjan from a young age and then proceeded to pass away. The album will tear a hole in your heart with its seemingly hopeless and melancholic track list. The record features some of Sufjan’s rawest and emotional songs yet from “Fourth of July” which plays out a conversation between him and his mother as she was dying in the hospital to “No Shade in the Shadow of the Cross” which depicts Sufjan’s descent into a self-destructive craze after her death. The ending track, “Blue Bucket of Gold” leaves the listener on a rather open note, mainly because Sufjan did not know how to end such an album. In a way, Carrie & Lowell is Sufjan’s final goodbye to his mother and he sums up his thoughts about the final track by saying “I quit playing piano and vocals and just stopped. I wanted to surrender her to the beyond with noises that sound bigger than just me.”

“Did you get enough love, my little dove?
Why do you cry?
And I’m sorry I left, but it was for the best
Though it never felt right