Our filmmaker Alex Bush has completed editing our film, and we submitted it to the Bausch Foundation archive of films. View the Penn State School of Theatre Nelken-Line film here.
The essay “Bausch’s theatre of dejection” written by Arlene Croce is a negative review of Bausch’s work with the Wuppertal Theatre. The essay’ argues that Bausch unnecessarily “window dresses” the dance theatre, body shames her company, and uses her pretentious,… Continue Reading →
Is it more important to put on a show for the audience, or put on a show for yourself? How much of this work is really up to the individual? Our head can say one thing but our heart says… Continue Reading →
“I pick my dancers as people. I don’t pick them for nice bodies, for having the same height, ir things like that. I look for the person, the personality.” -Pina Bausch Loney’s article mainly focuses on how Bausch allegedly chooses her dancers… Continue Reading →
In “Working with Pina Bausch,” author Faynia Williams argues that although a Bausch production’s rehearsal process may seem daunting, unorganized, and unstructured, it is actually “meticulously composed, combining speech, movement, dance, high art, and popular culture, creating a world without… Continue Reading →
“My feeling is not that [Pina Bausch] is more hopeful, but that she is convinced that what we need is hope.” – Lutz Forster
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