Soup and Rhetorical Questions: Rough Draft

Essay draft:

When presented with the question, “What is worth more, art or life?”, what is the correct answer? The capitalistic society many countries currently maintain as well as the decline in environmental well-being suggests that the answer to this question is art, yet is this correct? Phoebe Plummer and Anna Holland, members of the anti-oil drilling and climate change activism group “Just Stop Oil” demonstrated their answer to this question by pouring Campbell’s Tomato Soup on Vincent van Gogh’s famous “Sunflowers” painting, causing distress in those who possibly choose art over Mother Earth. The beauty found in manmade items has increased as the world becomes more industrialized, symmetrical, and efficient; but the distraction caused by beauty in the manmade has sent a shadow over the beauty that is the natural world. Other young individuals are also acting against climate change, some giving powerful speeches and starting protest movements of their own. Greta Thunberg, a twenty-year-old climate change activist from Sweden provides further commentary on the “What is worth more” question and connects her passion to those from “Just Stop Oil” through the shared exigence of climate change. Both Thunberg and the “Just Stop Oil” activists use the commonplaces of the destroyed environment and oppressed youth to comprise battle plans meant to destroy the argument against combatting climate change. These young change makers use their unique view of the world and and rhetorical strategies such as

to transform the rhetorical question of “what is worth more” into one with a mandatory response.

Tension and temperature have been on the rise for decades prior to the birth of young climate change activists of today, and today’s world is hot with an undying passion for change. Plummer and Holland profoundly and uniquely demonstrate this passion, by “destroying” a precious piece of art and causing distress and fear in a typically serene place. Utilizing the lens of social movement studies, the protestors insert themselves into the rhetorical situation of climate change and the oppression of youth, showing their distaste for the commonplace and forcing the public to shift their attention toward the universally dismissed issue. This demonstration was one of the social movements formed by the “Just Stop Oil” group, which also includes sit-down protests, and part of their broader mission to decrease energy prices and combat climate change. Just Stop Oil spokesperson Alex De Koning said to the Guardian following the event, “We are not trying to make friends here, we are trying to make change, and unfortunately this is the way that change happens,”. History has proven its support for this statement, as shown by the Stonewall Riots during the AIDS epidemic, the March on Washington and other civil rights protests arranged by Dr. Martin Luther King Jr., and the women’s suffrage movement of the 1920s, which were all lead by passionate individuals who dedicated their lives to tearing down social injustice. Calling attention to an issue that those of higher caliber tend to ignore cannot be done quietly, and Just Stop Oil proved that. Their theatrical vandalism of the sunflowers can also be seen through a lens of identity rhetoric and criticism; part of being a young adult is understanding and determining one’s identity, and these two are finding identity in protecting what gave them life in the first place. Age, politics, and shared beliefs converge to create a powerful group with an even more powerful message. Pouring soup on the painting was not just meant to gain the attention of the public but also to bring together those affected by oil drilling and climate change, both financially and environmentally. Plummer said, “What is worth more, art or life…[A]re you more concerned about the protection of a painting or the protection of our planet and people?”. Identifying as “people” also separates the general population from those in power who are fighting for the continued use of fossil fuels, creating a stronger group identity and connection between the young Just Stop Oil activists and those witnessing the campaign. Using more performative tactics solidified their position within the rhetorical situation and the question about the comparative values of life and creation.

Only one year prior and a sailboat ride across the Atlantic Ocean, then sixteen-year-old Greta Thunberg expressed her passion for fighting against climate change and protecting the world for the people of the future. Thunberg addresses the urgency of the many questions posed by the Just Stop Oil group, saying, “[Y]ou have stolen my dreams and my childhood with your empty words. And yet I’m one of the lucky ones. People are suffering. People are dying,”. However, Greta utilizes techniques that allow her speech to be examined from lenses differing from that of the Just Stop Oil campaign. She uses her strong storytelling skills to paint a picture of despair and pain in the heads of those who actively dismiss the issue at hand, placing her perfectly under the lens of the narrative paradigm. Applying horrifying – yet true – statistics and desperate passion to her speech gave it power and purpose, showing the potential dystopian world on the horizon. Anger and disappointment carried her strong tone throughout the speech, emphasizing that the story she was telling was not a story at all, but rather the reality that today’s youth are being forced to face because of the selfishness of large corporations. The United Nations states that generating power is the largest factor driving the climate change crisis, which Greta mentions in an attack on these corporations. She criticizes the ideals and goals of those in support of nonrenewable energy, placing her under another powerful and unique lens. Her ideology developed from the unwavering and cruel statistics plaguing the environment, as shown when she says, “The popular idea of cutting our emissions in half in 10 years only gives us 50% chance of staying below 1.5 degrees [Celsius], and the risk of setting off irreversible chain reactions beyond human control,”. In presenting her ideologies through her speech, Thunberg highlights the most extreme and dangerous differences between the two ideologies; capitalism and the human necessity for what one does not have is slowly overshadowing the duty that humans have to protect the environment that provided the resources for such progress. This ideology abolishes the rhetorical question of what is worth more, as climate change statistics continue to break records at an alarming rate. Provoking negative responses from former US President Donald Trump, French President Macron, and leaders from three other countries, Greta was successful in highlighting the growing commonplace of climate change and converting a once rhetorical question into a question awaiting a response.

Speech outline:

I’m going to present you with some “this-or-that” questions. As I do this, truly and honestly think about what you value more. Physical items with a hefty price tag or fresh, clean air? Next-day delivery, or the preservation of animals’ natural habitats? Art museums or flourishing wildlife?


Members from the climate activist group “Just Stop Oil” contemplated similar questions before pouring soup on Van Gogh’s “Sunflowers” painting to bring attention to the flawed values many big corporations have when it comes to preserving the environment. By seemingly destroying something labeled as “valuable” in today’s society, these two young activists provoked an important and eye-opening question, “What should we really value?”.  

 

These activists inspired many, including myself, to take further action against climate change, and I’m asking you to do the same. Falling under numerous of the United Nations Sustainable Development Goals (Affordable and Clean Energy, Sustainable Cities and Communities, and Climate Action, just to name a few), the exigence presented by the climate change issue invited action from the “Just Stop Oil” activists. Viewing this campaign through lenses such as dramatism, social movement studies, and identity rhetoric and criticism all demonstrate the power and influence behind this action. The exigence of climate change calls upon these young activists to stand against the death of Mother Earth and criticize the actions of those with greater power.

Body 1:

Use of identity rhetoric and social movement studies to create a case

Made themselves seem less alone by associating with the public

Established that they are backed by other people

Discuss the group and their efforts to be heard

 

Body 2:
Talk directly about exigence and the call that climate change makes

How it is a big part of society

Criticism of the lack of response by others

 

Body 3: 

Combine the two and describe how they make the most effective point

Exigence provides the platform for criticism to take place. 

 

Together we can make a change for the better and provide a world suitable for humans and animals to thrive. Now think again, What do you value more? Thank you.

4 thoughts on “Soup and Rhetorical Questions: Rough Draft”

  1. I would like help with determining how to best structure the paragraphs. Right now, I tried to separate the artifacts and address them separately, but it seems like it might be better to combine the shared rhetorical strategies. I’m not sure how to best go about this while still showing that they achieve the same goal through different methods.

  2. I think you have a clear thesis here that discusses how both artifacts dismiss a similar commonplace which establishes the relevance between the two artifacts despite their separate discussion within your essay. I also think you offer a lot of great invention and perspective here for your artifacts; however, for clarity purposes, it would be helpful to explicitly mention terms like “emotional appeals”, “exigence” and “commonplaces” when writing your body paragraphs as it will help orient your reader as you transition through your analysis. Overall, I like how you structure your piece by discussing one artifact and then transitioning into another. Within each artifact’s section of your essay, I think it would be helpful to break it up into paragraphs discussing a rhetorical strategy employed by that specific artifact. Beginning each of these paragraphs with a “topic sentence” to introduce your reader to the rhetorical strategy being examined would help clarify some of your commentary and analysis. As for demonstrating the common goal shared between both artifacts, I think connecting these artifacts during your conclusion similarly to how you connected them during your introduction would emphasize their relevance to one another. Overall, great job! I really liked the artifacts that you have selected for your essay!

  3. 1. Identify the writer’s main claim about the rhetoric, ideology, lenses of analysis, or and subtext of the piece. – “Other young individuals are also acting against climate change, some giving powerful speeches and starting protest movements of their own. Greta Thunberg, a twenty-year-old climate change activist from Sweden provides further commentary on the “What is worth more” question and connects her passion to those from “Just Stop Oil” through the shared exigence of climate change. Both Thunberg and the “Just Stop Oil” activists use the commonplaces of the destroyed environment and oppressed youth to comprise battle plans meant to destroy the argument against combatting climate change. These young change makers use their unique view of the world and and rhetorical strategies such as to transform the rhetorical question of “what is worth more” into one with a mandatory response”

    2. Identify and comment on the writer’s introduction or “way in” for this piece of rhetoric. Name one thing that might be added, deleted, changed, or moved. “When presented with the question, “What is worth more, art or life?”, what is the correct answer? The capitalistic society many countries currently maintain as well as the decline in environmental well-being suggests that the answer to this question is art, yet is this correct? ”

    3. Warning flags: check any of the following predominant themes this paper contains that might suggest a weak introduction or thesis:

    Rhetoric is everywhere X

    Artifacts try to persuade us X

    Life really isn’t like what the artifact proclaims X

    Rhetoric has many components X

    Ads are deceptive X

    The artifact did a great job X

    The artifact catches your eye X

    4. Find a strong analytical topic sentence and a weak one. Explain why you have identified them as such.
    Strong – “Only one year prior and a sailboat ride across the Atlantic Ocean, then sixteen-year-old Greta Thunberg expressed her passion for fighting against climate change and protecting the world for the people of the future. ”
    I think you did a good job with them all, so I won’t provide a weak one.

    5. Comment on the organization of the piece. What other possible arrangement strategies might make more of the material and develop arguments more fully? How well is the second comparative piece of rhetoric incorporated? – I think you did a great job overall with bother artifacts and what you have so far. Just grammar-check some of it, and it’ll be good.

  4. 1. Identify the writer’s main claim about the rhetoric, ideology, lenses of analysis, or and subtext of the piece.
    Climate change activists and change makers “use their unique view of the world and rhetorical strategies such as __ to transform the rhetorical question of ‘what is worth more’ into one with a mandatory response”

    2. Identify and comment on the writer’s introduction or “way in” for this piece of rhetoric. Name one thing that might be added, deleted, changed, or moved. I like how you introduced the essay with a question. “When presented with the question, “What is worth more, art or life?”, what is the correct answer? The capitalistic society many countries currently maintain as well as the decline in environmental well-being suggests that the answer to this question is art, yet is this correct? ” It grabs the reader’s attention well.

    3. Warning flags: check any of the following predominant themes this paper contains that might suggest a weak introduction or thesis:

    Rhetoric is everywhere none

    Artifacts try to persuade us none

    Life really isn’t like what the artifact proclaims none

    Rhetoric has many component none

    Ads are deceptive none

    The artifact did a great job none

    The artifact catches your eye none

    4. Find a strong analytical topic sentence and a weak one. Explain why you have identified them as such.
    Strong – However, Greta utilizes techniques that allow her speech to be examined from lenses differing from that of the Just Stop Oil campaign. She uses her strong storytelling skills to paint a picture of despair and pain in the heads of those who actively dismiss the issue at hand, placing her perfectly under the lens of the narrative paradigm.
    Weak- Everything seems pretty strong to me.

    5. Comment on the organization of the piece. What other possible arrangement strategies might make more of the material and develop arguments more fully? How well is the second comparative piece of rhetoric incorporated?
    I think splitting the large paragraphs up into smaller ones would make it easier to digest as the reader. I like how you talked about the first artifact and then the second one though. I don’t think you should change that.

    6. You wanted to read more about…. Connecting the two artifacts back together in the end.

    Overall, great job!

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