Last Saturday, I was able to attend a production of Cabaret, which was performed by the Penn State Thespian Society. If you didn’t get to see it and you happen to like musicals, I would highly recommend it. The story takes place in 1930s Germany. It was an excellent performance and the story did a great job of commenting on the political climate of Berlin at the time, while telling the story in the setting of a club. I went into this musical not knowing much about it, so I decided to look up its production history and how it was made. What surprised me is the story was not solely based on history. The musical was actually inspired by a book entitled, The Berlin Stories by Christopher Isherwood. It’s really two novellas put together to make up one book, but the musical takes elements from both novellas to create the story of Cabaret.
Although I was surprised this musical was based on a book, I know there are several successful musicals inspired from a book. Some of the most well-known ones include: Les Miserables by Victor Hugo, Wicked: The Untold Stories of the Witches of Oz by Gregory Maguire, Legally Blondeby Amanda Brown, Matilda by Roald Dahl, and The Phantom of the Opera by Gaston Leroux. Of course, these books are rewritten by the writer of the musical’s book, so the story is not entirely the same. This is done to clean up the plot a little bit and maybe add some new elements so people don’t know the whole story going in. Some story elements also don’t translate well to the stage (such as a character’s internal thoughts), so the writer has to either express this in a different way in the script or take it out altogether.
However, not all musicals based off books were a good idea. For example, Little Women: The Musical was a very short-lived Broadway production of the book by Louisa May Alcott. Part of the reason certain adaptations weren’t successful is because the writers didn’t have an actual purpose in turning the book into a musical. If you don’t have anything to add to the story or have a way to change the story in order to have it fit with music, then it’s probably not a good idea to try and adapt it. I really admire writers who are able to see past the written words in a book and take them off the page to make something as complex as a musical. They are able to make something larger than life on that stage, and I really hope I can be like that someday.