I know you talked about how all of our evidence should be from the same genre, like if you showed an old advertisement to stick to that domain and show a new advertisement. My topic is the evolution of the perception of sexual assault and consent, and I am struggling on deciding what domain of evidence to use- between Hollywood, music, and social movements. However, I gathered some sources from each of these three domains and hopefully your feedback will help guide me in the right direction.
In terms of Hollywood, I found a pretty general Wikipedia article discussing a timeline of different cases of directors sexually assaulting actors with some facing little repercussions, and some causing massive outcry such as the Harvey Weinstein abuse starting the Me Too movement (https://en.wikipedia.org/wiki/Sexual_abuse_in_the_American_film_industry). This source is really just to give me a general idea of specific cases to research through scholarly articles, such as the Patricia Douglas case in the mid 1900s where she reported sexual assault and was basically blacklisted for speaking up, or Roman Polanski getting only a 90 sentencing in the 70s after raping a minor. These cases, which I can go more in depth to, show a clear disregard for consent and don’t value victim’s voices. Another case that I found a source on from The Guardian talks about the sexual assault faced by Judy Garland on the set of The Wizard of Oz, which was virtually ignored (https://www.theguardian.com/film/2017/feb/08/judy-garland-allegedly-sexually-harassed-by-munchkins-on-wizard-of-oz-set). This is vastly different from the reaction to Harvey Weinstein, which has spread news of sexual assault and has encouraged victims to speak up instead of silencing them: www-thetexasorator-com-blog-2018-2-3-the-weinstein-effect-from-hollywood-to-austin.pdf (utexas.edu); guertin.pdf (theyoungresearcher.com). Similar present-day cases of sexual assault and the emphasis of consent are videos of Donald Trump openly admitting to sexual assault and the conviction of Bill Cosby. Bill Cosby specifically had been carrying out abuse for years but was not convicted until recently. I can also look at specific movies like 16 Candles from the 80s that portray rape as okay and consent as unnecessary.
In terms of music, I found some information about older songs like “Baby It’s Cold Outside” and how it is being criticized through today’s lens after everyone had been fine with it for several decades, showing a change in ideology (https://www.rollingstone.com/feature/baby-its-cold-outside-controversy-holiday-song-history-768183/). There were also some scholarly articles I found on the exclusion of consent in rap songs and how the promotion of sexual assault can be harmful to women (https://digitalcommons.library.tmc.edu/cgi/viewcontent.cgi?article=1328&context=childrenatrisk). One of my favorite articles I read is a PDF so I can’t attach it but it basically highlighted specific pop songs that highlight rape and why this is a very flawed message, such as the song Blurred Lines. This is in contrast to today, with songs like “No” by Meghan Trainor and “Not Your Barbie Girl”, which emphasize consent following the Me Too movement.
Lastly, social movements and legislation are pretty obvious, but there aren’t really any I can find from the earlier time period. I take a women and gender studies course this semester, so I can use the textbook to find a lot of things about historical feminist movements, and there are a lot of scholarly articles included in there too. In 1976, there were additions made to the Title IX laws that sexual assault was included as sex discrimination, meaning there were harsher punishments for perpetrators. Having this pass showed a clear shift in ideology as sexual assault was finally being recognized as the crime that it is. Today, there is the Me Too movement as I have mentioned and the 2017 Women’s March following the controversial election of former President Donald Trump.
I kind of wanted to include something about how parents are starting to teach their younger kids about consent and how it is important to teach age-appropriate consent from a young age, but I may include that in the “what;s to come” section of the essay or possibly my Ted Talk. Dr. Bodaski also showed me the book “The Joy of Consent: A Philosophy of Good Sex” which I haven’t read but may include some helpful ideas of how consent is being viewed in a positive light today after being criticized in the past for “ruining the mood” or “making things awkward”.
This is all clearly a work in progress…
We are officially in the top three! Barbie Fairy Secret is one of only three movies on this list where Barbie is actually named Barbie! In this universe, Barbie is a famous movie star with boyfriend Ken, who is abruptly stolen by fairies and brought to the fairy world, Gloss Angeles, to be married to fairy royalty, Graciella. What Barbie doesn’t know is that her two best friends and assistants, Taylor and Carrie, are both also fairies, and Graciella was placed under a love potion, which is why she stole Ken. Barbie, Taylor, Carrie, and rival Raquel all journey to Gloss Angeles to break Graciela’s love spell and bring Ken home safely.
This movie is very interesting because it serves as the unofficial sequel to the #2 movie on this list, which is the only Barbie movie duo I can think of that does this. While there are plenty of Barbie movies with sequels, this one simply exists in the same universe and references things from the original movie, incorporating the same canons. When I was little, realizing how these movies tied in together was so cool, and the first time I had seen Barbie do something like this. This movie is also very often overlooked because it isn’t a part of the “original” Barbie movies like Rapunzel or Diamond Castle, which came out in the 2000s. Fairy Secret, by comparison, came out in 2011. I actually distinctly remember seeing commercials for this movie saying “Coming to DVD in Spring 2011” and BEGGING my parents to get it for me. I’m pretty sure this was the first present I opened on my sixth birthday, and I remember unwrapping it in the car. The second I saw those rainbow wings I was so excited. This was also the birthday I received an entire collection of Disney Princess Barbies that I still have to this day. Seriously this day is ingrained in my head it was so iconic.
I found that this movie is the perfect amount of predictable- it’s not too complex but it also has a decent plot twist. Spoiler warning, just in case you were planning on binge watching Barbie movies, but it turns out that Taylor and Carrie’s other fairy friend, Crystal, who is also friends with Graciella, gave Graciella the love potion because Crystal is in love with Graciella’s fiance, Zane. In Gloss Angeles, there is a rule that if a human marries a fairy, they have to stay in Gloss Angeles forever, which is why it was so urgent for Barbie to save Ken. At the end of the day, however, Graciella breaks free and marries Zane instead. I do like, though, that at the beginning we’re supposed to see Raquel as the villain but by the end we see that it’s actually Crystal and Raquel becomes a good guy.
While it seems like this movie is heavily focused on romance, it’s actually not and that’s what I like about it. In the climax of this movie, Barbie and Raquel are stuck in one of Graciella’s indestructible fury spheres and it looks like they will not be able to save Ken before he is married off. The two have a deep conversation about why they have disliked each other for so long, and it results in them becoming friends and hugging it out, with friendship being what breaks them free from the fury sphere and allows them to go from their temporary wings to permanent wings, which are absolutely beautiful. Plus, in the movie it is revealed that there was a rift between Graciella and Taylor and Carrie that got Taylor and Carrie banned from Gloss Angeles, but the three are able to reunite as friends. I love how this movie incorporates relationships, but it’s main focus is female friendships and overcoming differences, which I think is important to teach little girls.
There is actually a big plot twist at the end, however. It is a threat to fairies that Raquel, Barbie, and Ken, all humans, know about the fairy world, so they are essentially all hypnotized to wake up and think that it was all just a dream. They begin talking in a cafe about how they all had the exact same weird dream, and Taylor and Carrie wink in the camera before flying off, indicating that it is viewers turn to keep the fairy secret. I just thought this was a very creative way to end the movie.
Lastly, this movie is just really funny. Ken specifically is just a total goofball and has some very hilarious one-liners that my sister and I quote all the time. All the characters have great chemistry and it is the perfect balance between drama, friendship, and comedy, which is why Fairy Secret secured its top 3 spot on my list.
This TED Talk by Laura L. Dunn discusses how she things an Equal Rights Amendment should be added to the Constitution to protect victims of gendered violence like sexual assault. This directly relates to a topic that I am interested in pursuing, which is the evolution of the idea of consent over time, which directly mirrors and ties into how sexual assault has been perceived and responded to over time. I plan to work with these two topics simultaneously, as the way we view consent directly connects to what we view as sexual assault/ how we respond to it.
Dunn discusses the growing social awareness of sexual assault in the United States, and how conversations by victims that were once dismissed have developed into the Me Too Movement, the Women’s March, student rallies on campuses, service members seeking reform in the military, and workers all around the country calling out sexual harassment in the workplace. She acknowledges how this is a tipping point between social movement and legal change, and goes on to talk about various laws that have been put in place in the past couple decades, including Title IX laws on college campuses. However, she references that this is not enough as there are no federal protections against gender violence in the Constitution and that victims are not given true justice in court cases about their case, instead being excluded from the conversation and viewed as evidence (outside of Title IX). She suggests the passing of the Equal Rights Amendment, which would guarantee gender equality by law and require states to intervene and address gender violence as sex discrimination. Although this did not pass in the 70s, missing by three states, one of those states has ratified it since then, showing how we are continuing to evolve and are getting closer to legal and institutional change.
I really like that this speech is straight to the point and Dunn is clearly educated on and passionate about this topic. There is a lot of reference to present day movements and changes that are occurring regarding gender violence and sexual assault, and these will be useful examples in my own presentation. Unfortunately, Dunn did not use a slideshow to assist her talk so I will not be able to use this as a reference. However, there are plenty of other TED Talks I can look to instead.
For my brainstorm, I am a little bit confused because I am not sure if we are supposed to do the same topic that we write our Evolving Ideas paper on or if it needs to be something different. If it’s the same, I’d likely do what I stated above- the evolution of how consent and sexual assault are viewed in society, looking at the famous picture of the sailor kissing that random woman without consent from post WWII to the way rape and sexual assault were casually talked about in the late 1900s, to today with the Women’s March and the Me Too movement, highlighted by this TED Talk. If it’s different from our essay, I’ll likely do one of the brainstormed topics from last week’s RCL blog: beauty standards, the meaning of the word gay, or the changing of family dynamics.
Barbie Diamond Castle follows two best friends, Liana and Alexa, who live in a cottage with barely any money. These friends discover a mirror with a singing girl, Melody, in it, but whenever Melody sings it alerts the villain, Lydia, and her dragon sidekick, Slyder, who ends up burning down Liana and Alexa’s cottage. Lydia was one of the muses of the Diamond Castle- a castle of music, but she ended up turning evil and trying to turn the world into darkness with no music. Melody was an apprentice of the muses and hid in the mirror where she was trapped. With no home to return to, the girls embark on a journey to unlock the Diamond Castle and save the other muses who Lydia turned to stone.
Obviously, this film revolves around music and there is no shortage of it. This movie arguably has the second-best soundtrack of any of the Barbie movies (second to only the #1 Barbie movie that will be revealed in a few weeks), and because they are all duets, they were so perfect to sing with my sister growing up. She always wanted to be Liana, who wears pink, and I wanted to be Alexa, who wears purple. Connected, We’re Gonna Find It, and Two Voices One Song are such core memories for me that genuinely bring tears to my eyes. Plus, as a music-loving kid, seeing this film revolve around music and best friendship really resonated with me and made me love to sing even more.
Let’s address the elephant in the room. Now, as a child, I was pretty naive to the fact that these two “best friends” lived alone in a cottage in the middle of nowhere, making money off of their flower business. But let’s be real, these girls were the epitome of cottagecore lesbians. Liana’s dress was literally the color of the lesbian flag and Alexa’s is the color of the bi flag! This movie introduces two male characters, twin brothers Ian and Jeremy (which funnily enough are the names of my old music teacher and his son), to assist the girls on their adventure and simultaneously serve as the love interests. However, I truly feel that forcing male love interests on these characters was just the fear of showing homosexual relationships to kids. But watching it back now, it would have made so much more sense to just exclude the male characters or at least make them fully platonic.
One of the main plot points in this movie is that at the beginning, even before the girls discover the mirror, they find two identical stones in the river that they turn into magic necklaces. Unbeknownst to them, these stones are actually diamonds that fell off the Diamond Castle and floated downstream to them, and when they wear them, they are protected from Lydia’s dark magic. There is a very dramatic scene where Alexa gets mad at Liana and takes off the necklace. She then gets possessed by Lydia to nearly walk off a cliff into a pit of lava if she does not reveal the key of the Diamond Castle, but that’s beside the point (great intense, climactic scene though). A couple of Christmases ago, my sister ordered us matching necklaces that look like the ones in the movie because it’s such a sentimental symbol of love and nostalgia for us. We literally grew up with movies like this and I feel like the fact that we grew up with them together makes it extra special.
This movie is a no brainer to be in the top 5, between the music and the storyline. The only points I am taking off are because of the forced heterosexuality, as well as the fact that Ian and Jeremy were British for no reason and made underhanded sexist comments. But other than that, Diamond Castle is no less than magical.
I actually have four potential ideas for this essay.
- First is family dynamics. There has obviously been a shift in the way families are views and the norms that exist in families. I think there would be a heavy focus on the background of the nuclear family, particularly in the fifties and post World War II. This idea of a nuclear family was portrayed in all sorts of media back then, especially through advertisements and TV shows. A key text that sparked changed and showed the imperfections that existed within this perfect bubble is The Feminine Mystique by Betty Friedan. As time as developed, we have seen the depiction of a lot of different family dynamics, especially in the media with shows like Full House coming out in the 80s with three father-figures and no mother figures, and today with shows like Modern Family that show this massive blended family. This idea is complicated because mixed and blended families have definitely existed all throughout history, and there are definitely still familial expectations that persist today, but the social norms are different. Back then, the white nuclear family was what people wanted, despite alternatives existing, and today despite nuclear families existing, it’s not necessary what everyone wants and there is a much wider acceptance of families with single parents, divorced parents, extended families, adoption, etc. My audience can learn about how the definition of families and how the views of society have impacted family dynamics over the past 100 years. Continuing conversation may look at if there is still a particular family that is seen as normal or if there really is no “normal” anymore and we are culturally accepting of all families.
- Second is the idea of consent and how we have gone from completely ignoring consent to prioritizing it in all interactions. Background knowledge of sexism and the silence of women in general is important to why female consent has been ignored for decades– why would women be listened to? A historical artifact that comes to mind is that picture of a sailor kissing a random woman after coming home from World War II. This picture was symbolic and celebrated yet highlights a clear issue of consent. As time has progressed, there have been morally grey media released such as assault brushed off in movies like Grease and Sixteen Candles, as well as questionable songs like Blurred Lines clearly bringing consent into question. However, with the #MeToo movement and more and more women coming forward, the importance of consent is emphasized. There are some challenges, such as the fact that there are still so many victims, and many who are silenced or do not receive justice, even in today’s social climate. People may say that because there was a different social expectation back then that certain actions are excusable but really, they are not and never should have been. Another misconception is that consent is only for women, when in reality, consent affects men as well and is important for everyone to give. My audience has to learn the importance of consent and how progress and feminism have led to increasing conversations of consent. Future conversations should call into question how consent should be enforced and where those blurry lines are between informed, enthusiastic, and reversible consent is and otherwise (which is actually not consent).
- Next is the word gay and how this word has gone from meaning happiness, to having a negative connotation, to meaning homosexuality. Background knowledge may be important to see how this word has always had different definitions, just there was such a silence of homosexuality back then that it was never used openly to mean homosexuality. There are pieces of media highlighting its various using such as “don we now our gay apparel” in Fa La La, the 1942 movie “The Gay Sisters”, to its negative use in the late 1900s and early 2000s (don’t have an example at the moment but I know it existed), to being used to mean homosexuality as we have become increasingly accepting of LGBTQ+ identities in society. This idea is complicated because it can still technically mean happy, and it still meant homosexuality in the past, like I said, but was not used that way. It is complicated because the word differs not simply in the literal definition of the word, but how the word was used socially, and the connotations associated. My audience has to learn about the progression of language over time and how this is just one example of the complexities of language. Further conversations can discuss other words and how much society affects the meaning that language has to different generations.
- Lastly is the beauty standard because the beauty standard has changed a lot over time, particularly for women. Background knowledge may be relevant to see how brands and media specifically enforce a certain beauty standard in order to sell products and that this has been going on for many years, even before the era of influencers and consumerism (though this has arguably been an era forever). There are many key players in this evolution, such as through icons, toys, movies, and music. Marilyn Monroe and her movies portrayed a busty woman with blonde hair as the beauty standard while skinny was in in the 90s with models like Kate Moss and Cindy Crawford, with people like Jennifer Lopez being looked down upon for having a big butt which is praised today. Today, there are icons like Kim Kardashian and Kylie Jenner, as well as songs like Anaconda highlighting the desire for a small waist and curves. This idea is complicated because there is some overlap of beauty standards– songs like Baby Got Back enforcing today’s beauty standards came out in the 90s while there are consistently skinny women who are idolized no matter the decade. Audiences can learn that their bodies are not a trend, that ideas of what’s beautiful is up to society and has nothing to do with an individual’s actual beauty. Further conversation can discuss the harmfulness of these beauty standards on young girls specifically and how they have consistently led to things like eating disorders and other harmful behaviors. It can also be discussed how these beauty standards are increasingly heavy on girls’ shoulders in the age of social media and photoshop.
We are officially in the top 5 Barbie movies! Barbie Magic of Pegasus follows Annika, an ambitious young princess who loves to leave her palace and figure skate, against the strict wishes of her royal parents. Annika doesn’t understand why her parents are so dedicated to keeping her inside, not knowing that years prior, an evil sorcerer, Wenlock, turned her older sister into a pegasus. They were just trying to keep her safe, but when Annika sneaks out again, Wenlock returns, freezing everyone in the kingdom, saying that if Annika does not accept his hand in marriage in three days he will be stuck like that forever. Annika is rescued by a pegasus and has to adventure to unfreeze her parents and kingdom.
As you may have guessed, the pegasus that saves Annika is her older sister in pegasus form, Brietta. For some reason after watching this movie, I loved the name Brietta and would always name my barbies Brietta if I was playing with them. Even though it’s pretty obvious to you since I gave the backstory of why the parents are strict, when you’re watching the movie you don’t find out that that’s why the parents are so strict until later, so it is a plot twist. Brietta takes Annika to the Cloud Kingdom where she has been staying for 16 years since she was turned into a pegasus, and Annika meets the Cloud Queen. The Cloud Queen is literally so iconic. She is so beautiful and her voice is so soothing, I wanted to be her so badly. The visuals in this movie, especially in the Cloud Kingdom, are absolutely stunning. There are little girls that also live in the Cloud Kingdom whos role it is to paint the sunset while riding on their pegasuses (pegasi?). The scene of them painting the clouds various tones of purples, pinks, yellows, and oranges is visually stunning and a very memorable scene of the movie.
Annika’s love interest in the movie is Aidan, and he is a very interesting character to me because he is not a typical Barbie love interest. Most Barbie movies depict their characters as black and white- the good guys are these perfectly moral and kind spirits while the bad guys are completely evil. However, Aidan is more morally grey. Annika and Brietta meet him in the forbidden forest, a dark and scary place that Aidan escaped to after gambling with all the money his parents had left and losing it. Aidan is snarky and sarcastic, with one of my favroite lines being after Annika tells him Brietta is her sister, sarcastically asking if the polar bear sidekick is “let me guess…your cousin?” I think it is very refreshing to have a character who is a good person who has made mistakes in their life but has a redemption arc. Plus, Aidan is able to reunite with his parents by the end of the movie, which is a very heartwarming moment.
Annika’s own relationship with her parents kind of resonated with me as a kid because I always felt like my parents were strict and had a lot of rigid rules. However, watching this movie as a kid kind of made me realize that there is probably a reasoning for it and that they are just doing the best they can to fulfill their roles as responsible parents and keep me safe.
The last thing I will say is that this movie is INCREDIBLY quotable, and my siblings and I will often make references to it. Plus, at the end they have a blooper reel, which I always think is hilarious for animators to do because it’s extra work for them but makes the characters seem more genuine and lifelike.
Between the stunning visuals, loveable characters, and memorable one-liners, Barbie Magic of Pegasus easily deserves its top 5 spot on my list of best Barbie movies.
Essay Draft
The idea of a school shooting, breaking into a place of education to murder innocent children, is something so evil, yet not unheard of. As the 2000s have progressed, school shootings have ravaged the nation. Two of the most tragic massacres to date are the Sandy Hook Elementary School shooting in December, 2012 and the Robb Elementary School shooting in May, 2022. Former President Obama addressed the Sandy Hook incident by issuing a speech to the nation, and Ted Cruz posted a tweet, concisely acknowledging the Uvalde shooting. While both of these artifacts have the exigence of tragic elementary school violence where more than 20 lives were taken, there is a stark difference in the empathy and care put into these responses. These differences exemplify the fact that over time, Americans and leaders alike have lost their consideration for these types of disasters and it is unacceptable. Through the analysis of ethos, pathos, and commonplaces used differently in both artifacts, the growing negligence of the nation in response to solvable tragedies has become apparent and needs to be addressed.
President Obama’s speech is formulated and delivered to match the rhetorical situation. It is approximately three minutes long and responds to the shooting at Sandy Hook Elementary School in December of 2012, aiming to empathize with and reconnect communities who were drastically affected. Obama speaks to both the American population as a whole, addressing their sadness and fears, but also the families of the victims. He connects with them personally to indicate how sorry he is for their loss, then returns to a general audience of the entire population. Obama had several constraints to adjust to, including the fact that he could not talk to families directly or be at the site of the shooting. This could have created some disconnect, yet he was able to deliver a passionate and meaningful speech despite this. Time also presents itself as a constraint, as Obama was expected to deliver his speech on the day, meaning he had very few time to prepare his speech. Despite this, Obama was able to create a memorable deliverance for families and Americans.
Analyzing from an ideological criticism, Obama uses ethos, pathos, and commonplaces to effectively connect with his audience. As the President of the United States, Obama had the responsibility to respond to this event in a timely and appropriate manner, yet he emphasized his role as a parent over his authority to reflect his genuine feelings. He utilized ethos by reacting as a parent of two young girls to better relate to the parents and families who lost loved ones in this disaster. Obama’s speech epitomizes pathos as he uses powerful connotations with the words “overwhelming grief” and “hearts are broken”. In expressing these emotions empathetically and deeply, the American audience feels Obama’s words and relates to his feelings toward this tragedy. President Obama also references several commonplaces, acknowledging community, love, innocence, education, and various life milestones that the fallen children will never get to experience. Utilizing these commonplaces allows for the American people as a whole to understand the implications of this loss in regard to the families, victims, and communities torn apart as a result. Obama truly cared, and this speech, as well as the changes made as a result are representative of that.
A tweet by Ted Cruz serves as an opposing artifact to Obama’s speech. This tweet, posted only hours after the shooting at Robb Elementary School, attempts to comfort the Uvalde community, but starkly fails. The victims and their families, as well as the people of Texas who are scared about the events, serve as the audience once again, but Cruz also heavily acknowledges law enforcement officers, prematurely thanking them for their swift response. Cruz had several constraints, including that his tweet was posted mere hours after the event and nobody had much information about what truly happened with law enforcement that day. A tweet, unlike a speech, has a limited word count and can lack emotion as it is in writing. The combination of these constraints allowed for Cruz’ tweet to come off as senseless, especially once people found out how law enforcement stood idly outside the school as children inside were actively being murdered.
Again analyzing through the lens of an ideological criticism, this tweet contains a clear lack of connection with families and people who lost loved ones as well as a lack of empathy. Ted Cruz, as the Texas Senator, was expected to release a statement on the tragedy that occurred in his state, yet he lazily opted to release a tweet instead of a speech or any other form of more sincere media. Cruz is a father of two children himself, but does not allude to this fact at all leaving a severe disconnect between him and families. The tweet is very short and is based on fact, with no real reference to emotions. While it describes this tragedy as “horrendous”, it simply reduces the response to thoughts and prayers. There is barely any pathos, and audiences are not prompted to feel anything besides resentment toward Cruz himself from these tweets. Cruz does not reflect any real emotion or care for the shooting, and despite being a leader, gives no real indication of a desired change. Cruz does use commonplaces, including security, justice, and religion, but exempts any inclusion of family and love. His response reflects the underwhelming response of leaders to the Uvalde shooting and the lack of care for the real issue at hand – gun violence.
Despite almost identical exigencies, there are many clear differences in the responses between Barack Obama and Ted Cruz. Obama shows a clear value of empathy and life, and these responses expose how Obama cared about the families themselves, addressing them directly, while Cruz only addressed the general public and law enforcement officers. Cruz did not show enough care to directly address the families of children who were brutally murdered. The location of the incidents, as well as the difference in political parties, Obama being a Democrat and Cruz being a Republican, plays a large role in the difference in responses. Republican leaders, such as in Texas, support the National Rifle Association in their campaigns and are often sponsored by them, so speaking about gun violence compromises their position. They instead have to avoid blaming guns and resort to thanking law enforcement, something that better aligns with the views of their constituents. Democrats, such as Obama and most of Connecticut’s population, openly acknowledge the need for better gun control and the dangers of not having it, looking at this tragedy as just one example. Differences in timing contribute to the difference in responses as well, as Obama knew all the details of the shooting before delivering his speech, but Cruz was expected to respond before anyone knew all the details. This led to a clear miscommunication and a completely untrue statement about law enforcement’s quick response, when in fact their delay cost many young lives. The ten year gap between these shootings may also serve as important, as Sandy Hook was the first mass shooting at an elementary school so it shook the nation, whereas by the time Uvalde happened last year, people are desensitized to these tragedies. They are seen as trivial, which is absolutely disgusting, but contributes to the American response as well as the response of leaders. Though there are many differences, both leaders exude religion as a commonplace, both referencing prayer and God. However, while this is what Ted Cruz begins his tweet with, acknowledging thoughts and prayers as the most important thing, Obama ends his speech with this commonplace, instead prioritizing families and empathy first. The differences in these responses can really affect communities and how the public responds emotionally to a tragedy like this.
Empathy should be the only response to tragedies like these and the fact that this has not reigned true recently is ridiculous. Civic life is about connecting with families and having a genuine value for life, especially as the leader of a community. As Republican leaders continue to deny guns as a problem, their ignorance can be generalized to all Republican Americans because they are the ones who vote in leaders who care more about guns than children’s lives. For those who are not part of the Republican party, voting and fulfilling one’s civic duty is essential to voting out careless people and voting in leaders who will make real change in regards to gun control. The state of civic life is severely threatened by gun violence, and corrective action needs to be taken to stop simply asking for thoughts and prayers when 6 year olds have baseball sized holes in their bodies and to instead start caring enough about these issues to stop them from happening.
Speech Outline
introduction
- Hook: December 14, 2012. As millions of teachers and students returned home to their families, 26 bodies laid dead at Sandy Hook Elementary School. 6 year olds, slaughtered, in a place where they should have been safe.
- Obama gave a speech following this tragedy addressing both the nation and the families who lost loved ones directly; says that “as a country we”
- Constraints may be that he had to respond in a timely manner (day of?), and he wasn’t able to be on site so he had to deliver the speech remotely to a conference room instead of families face to face
- using an ideological criticism- ethos and pathos
- thesis: Barack Obama’s genuine and heartfelt response to the Sandy Hook shooting was able to comfort families and communities in a time of great tragedy and unrest (this is being worked on)
- ethos- as both the president his responsibility to respond and make change but also as a father his understanding of losing a child
- pathos- his word choices and delivery
- commonplaces- emphasizing love, community, and innocence connected audiences
- MP 1: Obama’s use of ethos allowed him to reach a large audience while gaining the trust of smaller audiences who could relate to him
- president (presidents seal in the back, mentions how he is the president and has the power and the willingness to make change)
- a father to two young girls (specifically mentions how that is the lens he is looking at this tragedy through, emphasizes his close relationship with them and empathizes with how it must feel to lose them)
- Commonplaces of love and family
- audiences (families of victims and families in general in the US see him as a family man in addition to a President who cares which makes his message much more meaningful
- Uses commonplaces to appeal to the whole audience
- Commonplace of life milestones- everyone in america has been a child and most people have reached the milestones of things like graduation or marriage; using these as examples allow a large audience to relate and personalized the message
- religion as a commonplace can even touch on people who are more conservative in their values and may tend to support more right wing views to listen to this speech and these problems and want change too; Obama connects differences
- MP 2: Obama’s use of pathos gives him the ability to reach audiences on a personal level and cause them to understand the true weight of the loss.
- uses repeated phrases like “hearts are broken” and “overwhelming grief”
- mentions how there are no words to ease their pain and nothing that can fill the space of a lost child
- Commonplaces of family and community
- his understanding of the severity of the situation shows how this tragedy has affected him on a personal level and causes the audience to feel comfort knowing that he is a leader who will fight for them
- Conclusion
- Barack Obama’s genuine and heartfelt response to the Sandy Hook shooting was able to comfort families and communities in a time of great tragedy and unrest (reword)
- Obamas speech is short but it contains all the necessary pieces to be impactful and connect the audience and their thinking through the use of ethos, pathos, and commonplaces
- why i in fact delivered on my thesis? still not sure what this means
Barbie does its take on the classic tale of Rapunzel, depicting an art-loving girl with long hair trapped in a tower by an evil mother-figure. However, this version shows Rapunzel discovering a magical paint brush (which derives from a magic hairbrush) that lets anything she draws become real. This allows her to recreate images of the nearby village that she escaped to once and travel there again, meeting new friends and love interests without giving away her secret trips to her captor.
I honestly love this movie and think it stays true to the story while also have some very unique aspects and twists to it. This movie does not incorporate any actual singing in it, but there is one song that plays when her hairbrush turns into a paintbrush that is so whimsical and beautiful. It seriously brings tears to my eyes and I listen to a piano cover of it to sleep at night sometimes. For a movie that barely has any music, it has one of the most nostalgic Barbie songs.
Rapunzel’s art is absolutely stunning throughout this movie and the movie as a whole is very aesthetically pleasing. The pastries at the bakery in the village look so detailed and scrumptious, and there is one scene where Rapunzel’s animal sidekicks mash up berries to make paint for Rapunzel to use after Gothel, Rapunzel’s captor, destroys all her paintings, paints, and brushes. When I was little I always used to rub raspberries on my lips in hope that it would stain them red in the same way that the berries in this movie were pigmented enough for paint. The way Rapunzel so flawlessly paints made me want to be an artist and I had a phase in elementary school where all I asked for for birthdays and Christmas were art supplies. I thought of art as so magical because of this movie, and still think it is such a creative way to incorporate fine arts beyond music in Barbie movies. Not to mention the perfect montage of Rapunzel painting different ball gowns for herself and walking into the wall to try them on.
The sidekicks in this movie, a British bunny named Hoby and a purple dragon named Penelope, are all-time favorites of mine. Penelope strives to impress her father, a large, manly dragon enslaved by Gothel, but feels like a failure. In the end, Penelope’s father helps Rapunzel and is proud of his daughter as she shows how strength can come from kindness and friendship. I enjoyed seeing this father-daughter relationship and related to Penelope on a personal level as she strove to people-please and cares greatly about what others think.
The best part of this entire movie is the plot twist. It is absolutely insane. There are more like two plot twists, one little one and one major one. Basically, when Rapunzel goes to the village, she meets the prince of that kingdom, led by King Frederick, and finds out that Frederick’s kingdom and the nextdoor kingdom, led by King Wilhelm, have been fueding for years. They continuously incite violence on one another and have separated families over the fued, but nobody knows why it started. Rapunzel tells the prince her name, but tells him that she doesn’t want to know his. Later, when Gothel finds out that Rapunzel escaped, she demands to know the name of the man she met but Rapunzel cannot tell her because she does not know. Gothel assumes she is lying and curses the tower to “never release the prisoner with the lying heart”. Since Rapunzel is not lying, though, she ends up being able to escape and the tower later traps Gothel, a liar, indefinitely.
The real plot twist happens at the ball, in which Gothel disguises herself as Rapunzel, and the prince cannot tell that it is a disguise. He chases her all around and she eventually puts him in extreme danger, with the opposing kingdom then raiding the ball. Gothel then removes her disguise and it is revealed that Gothel was once in love with King Wilhelm but Wilhelm did not love her back, marrying someone else and having his daughter- Rapunzel. Gothel stole Rapunzel out of spite, stating that she should have been Rapunzel’s mother and Wilhelm’s wife, and Wilhelm had started the fued against Frederick because he assumed that Frederick stole his daughter. In the end, the kingdoms are reuinted and Rapunzel reconnects with her family.
Overall, the storyline for this movie is very creative and this movie is a very fun watch, which is why it is #6. The story itself is not original, though, and Gothel’s sidekick otter is so annoying that it is difficult to tolerate him, especially when he snitches on Rapunzel. Tangled is still better, but this movie is very close to top 5.
Essay Intro (draft, need to work on strengthening my thesis):
The idea of a school shooting, breaking into a place of education to murder innocent children, is something so evil, yet not unheard of. As the 2000s have progressed, school shootings have ravaged the nation. Two of the most tragic massacres to date are the Sandy Hook Elementary School shooting from December, 2012 in Newtown, Connecticut and the Robb Elementary School shooting from May, 2022 in Uvalde, Texas. Former President Obama addressed the Sandy Hook incident by issuing a speech to the nation, and Ted Cruz posted a tweet, concisely acknowledging the Uvalde shooting. While both of these artifacts have the exigence of tragic elementary school violence where more than 20 lives were taken, there is a stark difference in the empathy and care put into these responses. These differences exemplify the fact that over time, Americans and leaders alike have lost their consideration for these types of disasters and it is unacceptable. Through the analysis of ethos, pathos, and commonplaces used differently in both artifacts, the growing negligence of the nation in response to solvable tragedies has become apparent and needs to be addressed.
Speech Outline:
Introduction:
- Hook: December 14, 2012. As millions of teachers and students returned home to their families, 26 bodies laid dead at Sandy Hook Elementary School. 6 year olds, slaughtered, in a place where they should have been safe.
- Obama gave a speech following this tragedy addressing both the nation and the families who lost loved ones directly; says that “as a country we”
- Constraints may be that he had to respond in a timely manner (day of?), and he wasn’t able to be on site so he had to deliver the speech remotely to a conference room instead of families face to face
- using an ideological criticism- ethos and pathos
- thesis: Barack Obama’s genuine and heartfelt response to the Sandy Hook shooting was able to comfort families and communities in a time of great tragedy and unrest (this is being worked on)
- ethos- as both the president his responsibility to respond and make change but also as a father his understanding of losing a child
- pathos- his word choices and delivery
- commonplaces- emphasizing love, community, and innocence connected audiences
MP 1: Obama’s use of ethos allowed him to reach a large audience while gaining the trust of smaller audiences who could relate to him
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- president (presidents seal in the back, mentions how he is the president and has the power and the willingness to make change)
- a father to two young girls (specifically mentions how that is the lens he is looking at this tragedy through, emphasizes his close relationship with them and empathizes with how it must feel to lose them)
- audiences (families of victims and families in general in the US see him as a family man in addition to a President who cares which makes his message much more meaningful
MP 2: Obama’s use of pathos gives him the ability to reach audiences on a personal level and cause them to understand the true weight of the loss.
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- uses repeated phrases like “hearts are broken” and “overwhelming grief”
- mentions how there are no words to ease their pain and nothing that can fill the space of a lost child
- his understanding of the severity of the situation shows how this tragedy has affected him on a personal level and causes the audience to feel comfort knowing that he is a leader who will fight for them
MP 3: Obama’s use of commonplaces personalizes the loss of these families to all Americans and creates a sense of community
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- commonplaces: family, community, love, innocence, education, safety, life milestones, religion
- everyone in america has been a child and most people have reached the milestones of things like graduation or marriage; using these as examples allow a large audience to relate and personalized the message
- religion as a commonplace can even touch on people who are more conservative in their values and may tend to support more right wing views to listen to this speech and these problems and want change too; Obama connects differences
Conclusion
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- Barack Obama’s genuine and heartfelt response to the Sandy Hook shooting was able to comfort families and communities in a time of great tragedy and unrest (reword)
- Obamas speech is short but it contains all the necessary pieces to be impactful and connect the audience and their thinking through the use of ethos, pathos, and commonplaces
- why I in fact delivered on my thesis? not sure what this means
Continuing with the mermaid theme this week, Barbie Mermaidia is the sequel to Fairytopia, where Elina (and her sidekick Bibble), born in the realm of fairytopia is inconveniently the only fairy not born with wings. She must embark on a journey of bravery to earn her wings, meeting new friends like mermaid prince, Nalu, but her journey does not end there. Mermaidia shows Nalu being hostage by fungi goblins, followers of the same villain from Fairytopia, who seek the immunity berry. This berry will give whoever eats it ultimate power, and the fungi threaten Nalu to either lead them to the berry or poison the whole ocean. Elina being enlisted to help save Nalu, and the ocean, with the assistance of frenemy mermaid, Nori.
Despite most sequels lacking in comparison to the original film, Mermaidia is so much more enjoyable to watch than Fairytopia. I always related to the character of Nori because she is so sassy and fresh. She did not like the idea of Elina coming in to play hero, and it is revealed later on that Nori was jealous of Elina’s friendship with Nalu because Nori loves Nalu romantically. This is so iconic of her. Her tail and blue hair is so cute, and her “idgaf” attitude is relatable to audiences who are sick of seeing perfect Barbie as a Mary Sue character. Plus, as a younger sister, I found that Nori’s internal sense of competition but ultimate connection with Elina by the end of the movie resembled a sisterly relationship.
While this has little to do with the films plot, part of the reason I love this movie so much is the FOOD. First of all, the only way Elina and Bibble can breathe underwater is by eating magic seaweed, and this made me want to try seaweed so badly. They made it look so delectable and savory I just wanted to crunch it so badly. There is one scene where Barbie, Nori, and Bibble need information on where to find the Oracle of Delphine (a super cute play on Greek mythology’s Oracle of Delphi) who will tell them where Nalu is, but the only people who know where the Oracle is are above water. Elina, unlike Nori, can reach these merfairies and they quickly befriend little Bibble, feeding him all sorts of pastries and chocolates. When I tell you there was nothing I wanted more in my childhood life than to eat those little snacks, there was NOTHING. They were so fancy and I could just picture the delicacies melting in my mouth, Even the table in their house looked like a delicious cheesy pizza. They give Bibble an entire cake to eat and it looked so moist; I was ready to eat it Matilda-style.
When the crew is in the realm of where the immunity berry lies, they are surrounded by many mystical berries all with different powers. While this both leads to the hilarious scene of Bibble eating various berries and giving him the power to yodel, talk in a very low voice, and even sing Opera (my poor parents had to witness me attempting to hit some high notes), they finally find the immunity berry and it. looks. delectable. Well, they actually find a berry that looks very similar to the immunity berry that they later use as a decoy to trick the fungi, but either way, the crunch when they bite into it is so juicy and crisp. Every time I eat a peach or think about an apricot, I feel like I am eating an immunity berry. Plus, the plot of using a decoy allowed for a more complex twist, and the decoy’s powers are to turn its consumer into their true self. This ends up turning the villain into a frog and Elina back into a fairy after she is almost doomed to be a mermaid forever.
The scene of her turning into a mermaid is so dramatic and iconic. In order to swim better and actually save Nalu, Elina needs to get a special necklace to allow her to have a tail. However, the blue beads will eventually turn white and whatever state she is in, fairy or mermaid, when the last bead turns white is what she will be forever. Elina carefully tries to stay as a fairy when she sees the last bead start to turn but hails herself into a waterfall last minute to catch the vial of poison the fungi dropped. This scene is SO dramatic and my sister and I watched in horror as her last bead turned white in the water. We were so shocked that Barbie would even think of removing her from her happily ever after, but luckily she was ultimately able to turn back into a fairy.
This film is very iconic and has some of the most memorable scenes. Elina is not just a dumb blonde, but uses heroism and self-sacrifice to save those around her. Plus, she is for the girls and lets Nori have her man. The complexities and shock factor allow me to rate this movie a solid #7.