Most people have seen a horror movie, or at least seen a preview for them. Love them or hate them, we all know the drill: family moves into a new house, ghosts live there, the family deals with a haunting with some humor and lots of jump scares.
Horror audio dramas also exist, but the lack of visuals forces creators to be more creative with the horrors they describe. Jump scares are near impossible in an audio medium, and describing what it’s like to see a ghost just doesn’t have the same effect as actually seeing one onscreen.
This has forced the creators of horror audio dramas to be innovative in their horror writing; the creepy stories they describe would work only in the audio medium, and yet still manage to give you the adrenaline rush you want from a horror story.
As someone who has always hated horror movies, I was reluctant to begin The Magnus Archives, the audio drama I am currently working through the backlog of.
However, I discovered that it was mostly the jump scares that turned me off horror movies, and the podcast full of creative horror stories that are intricately woven together into a plot is enjoyable and just creepy enough.
The stories depend on creepy ideas you haven’t thought of before, rather than classic horror tropes. For example, one episode revolves a man who meets and dates a woman, only to discover that she is made of thousands of worms. The concept sounds silly, but with some creative writing and sound designing, it becomes a creepy story that sticks in your mind for days.
The Magnus Archives is only one of many horror podcasts, each with its own merits and creative style of storytelling: The Alexandria Archives, I Am in Eskew, and Tanis are all popular horror audio dramas with differing storylines and styles of horror.
As someone who was certainly not a horror fan before audio dramas, I recommend them for everyone, adrenaline junkies and scaredy-cats alike. The creative storylines of horror audio dramas have something for everyone.