Much of the campaign material for the 1960 Kennedy-Johnson campaign centers on the idea of social progress, reflecting the chief concerns of the Democratic party during that time—the growing Civil Rights movement and push for legislation, as well as advancement in science and technology perhaps best encapsulated by the USSR/USA space race, following the successful launch of the Sputnik satellite in the late fifties. This campaign advertisement utilizes the rhetorical commonplace of “human rights” to introduce the audience to the moral elements of Kennedy’s platform.
Most audiences will agree that the advancement of “human rights” is a morally just goal, explaining the phrase’s prevalence as a buzzword in political ephemera of all types. However, few audiences will share the same definition of what constitutes a “human right.” Although it is a term applicable to pieces of real, physical international legislation, in practice, the definition varies based on the individual. By titling the central panel “human rights,” the campaign captures the interest of a large audience, but on its own, it is not particularly compelling. The campaign narrows in to a smaller, more clearly defined audience by listing what the campaign platform defines as a human right, and centering in on the Civil Rights movement via photographs, as well as mention of Johnson’s pivotal role in passing important legislation. Not only does the advertisement display the Kennedy-Johnson platform, it also displays their effectiveness in passing the legislation their constituents want, thereby strengthening their appeal (evidenced by the moniker, “the Winning Team”).
By framing such a broad concept in the context of the struggle of Black Americans for equal rights in the fifties and sixties, the advertisement takes advantage of rhetorical exigence and is able to make an appeal to a specific audience. The advertisement is a good example of the utilization of a rhetorical commonplace because it capitalizes on a broad concept with positive connotations, but also relates it back to the present moment and the desired audience.