Hi, I’m Wendy Dann, I’m a freelance director and I teach directing at Ithaca College. I’m really responding to the birds of prey here, and the passion/fire/blood in the eyes in your research.
Devin,
I found your Mojada Medea reflections very compelling. In this reflection, you wrote that reading Mojada, “helped contemporize and humanize Medea, and give deeper meaning to many of her actions…I believe that Medea’s emotional journey is the central story being told.”
I think that your research and mood boards did a beautiful job inviting life and humanity into spaces in various stages of disrepair, destruction, and division.
Hi Devin, I’m Jennifer Werner (Director/Choreographer). I really responded to the amount of detail in your research and mood boards. Lots to unpack. There’s a connection to the architectural details and the spaces you define that directly resonate with Medea and her situation.
You have found such wonderful and evocative images: the urban backyard with all of the plants, the train tressle looming behind with the grey, threatening clouds above. You’ve begun to create a whole world with those images, by wedding the new urban landscape with the spiritual, agricultural world left behind. And your mention of the Statue of Liberty as a vengeful god: fantastic.
You say “Medea is leaving one unforgiving land only to end up in another one”: and your images clearly support that feeling that you have about the play and the character in a profoundly visceral way.
What a wonderful place to begin.
Your work is simply awesome. I love your mood boards. They have so much detail and thought into them. Your research image for Mojada is so good, it’s almost exactly what you picture for the backyard. I also love your chariot ! Charlie is a wonderful addition. Lastly your featured image is ver thought provoking and I love that too. Awesome job!
Hi, I’m Wendy Dann, I’m a freelance director and I teach directing at Ithaca College. I’m really responding to the birds of prey here, and the passion/fire/blood in the eyes in your research.
Devin,
I found your Mojada Medea reflections very compelling. In this reflection, you wrote that reading Mojada, “helped contemporize and humanize Medea, and give deeper meaning to many of her actions…I believe that Medea’s emotional journey is the central story being told.”
I think that your research and mood boards did a beautiful job inviting life and humanity into spaces in various stages of disrepair, destruction, and division.
Hi Devin, I’m Jennifer Werner (Director/Choreographer). I really responded to the amount of detail in your research and mood boards. Lots to unpack. There’s a connection to the architectural details and the spaces you define that directly resonate with Medea and her situation.
Hi Kevin,
My name is Pam Berlin and I’m a director.
You have found such wonderful and evocative images: the urban backyard with all of the plants, the train tressle looming behind with the grey, threatening clouds above. You’ve begun to create a whole world with those images, by wedding the new urban landscape with the spiritual, agricultural world left behind. And your mention of the Statue of Liberty as a vengeful god: fantastic.
You say “Medea is leaving one unforgiving land only to end up in another one”: and your images clearly support that feeling that you have about the play and the character in a profoundly visceral way.
What a wonderful place to begin.
nice!
I think it’s very original. Great visuals and use of color. Congrats!
Hi Devin !
Your work is simply awesome. I love your mood boards. They have so much detail and thought into them. Your research image for Mojada is so good, it’s almost exactly what you picture for the backyard. I also love your chariot ! Charlie is a wonderful addition. Lastly your featured image is ver thought provoking and I love that too. Awesome job!