Art has always held a very special place in my heart, and it all started with painting. Ever since I was young, I have always had a static fascination with paint. Oil paints, pastel paints, water paints, every paint. Something about the physical nature of creating art and the ability to go in any direction always got me excited to make something new and see what others would make.
I spent a lot of time as a kid just throwing together colors and creating cool landscapes or characters from my favorite shows. I had stacks full of my paintings, and with everyone I made the better progress I gained. Although my technique improved, I never grasped the full capabilities of painting till I studied Kehinde Wiley in my senior year of high school.
In my AP English Literature class, we were discussing modern African American art and I was assigned to research Kehinde Wiley. Through Wiley, I got to see a whole different side of painting, and all art in general. I gained an understanding of the message that art can convey, further beyond the superficial visual. For the first time, I understood the full appeal of art, to EXPRESS. Everything that I have covered throughout my blogs about the latent value of art was first perceived by me through Kehinde Wiley.
Kehinde Wiley was born in Los Angeles to an African American mother and a father from Nigeria along with five other siblings. His family was not wealthy, with most of their money coming from his mother’s thrift shop. His mother got him interested in art so her children would not get involved in gang violence or in jail. Likewise, Wiley has been working with art since very young, but it wasn’t recently that he gained much traction. In 2015, he worked with The Brooklyn Museum of Art to open up the exhibition “Kehinde Wiley: A New Republic,” which covered his works in the past 14 years of his career. In 2015, he was the recipient of the National Medal of Arts.
Currently, Wiley is a portrait painter of fusion of realism and old master painting styles. He almost remasters old renaissance paintings and turns them into modern portraits of everyday life within the African American community. He specifically challenges themes in these old painting and in modern society, addressing African American identity politics. He is against the vilification of the African American community, so he depicts the African Americans as subjects (and protagonists) of his works, depicting to his audience that the African American community is strong and should be valued.
The second most prominent theme covered within his work is sexuality. Wiley himself is homosexual, so he often depicts the struggles of being gay and black in a racist and homophobic society within his works. This makes his works extremely revolutionary and progressive, as he depicts voices that are often shunned and silenced within our society.
Wiley has so many amazing paints, you should check them out if you can. What’s really cool too is that he makes them HUGE! His paintings are larger than life size portraits, spanning to 12 by 12 feet. He does this to express the power and importance of these piece and show that African Americans deserve “royal portraits” just like the hierarchy and army leaders of the renaissance received. I’ll list a few of my favorites below:
Napoleon Leading the Army Over the Alps (2005): Based on Jacques-Louis David’s 1801 equestrian portrait, Napoleon Crossing the Alps. This image depicts a black man riding a horse and leading an army just like Napoleon while wearing modern common apparel. This depicts that the African American community can hold power and lead a strong community just as Napoleon did.
Femme Piquée par un Serpent (2008): Based on Auguste Clésinger’s 1847 sculpture of the same name, which depicted a woman in the process of dying from a venomous snakebite. At the time, the sculpture was controversial, as many saw the woman’s writhing and contorting as more erotic and sensual than indicative of impending death. Wiley uses this to his advantage when depicting the current controversy in our society of being homosexual. Wiley as breaks the rules of nude figure study, which is provocative white women being portrayed for the pleasure of white men. This challenges this study by depicting an African American man over a bed. “As a gay black man, it is important for Wiley to reposition black male bodies as objects of desire, eroticism, and vulnerability, as opposed to fear, strength and violence. Black gay men are often doubly victimized in society, and Wiley’s purposeful queering of recognizable images; his use of flowers; and camp, playful portraits are all important contributions to what queer black art can look like in America, and the importance of blackness to queerness, and visa versa.”1
This is what I was talking about when I said that Wiley showed me the message and expression behind art. There is so much potential, it can be so much more than merely visual. Wiley even says that his work “is not about paint. It’s about paint at the service of something else. It is not about gooey, chest-beating, macho ’50s abstraction that allows paint to sit up on the surface as subject matter about paint.” Wiley expresses so much lifestyle, emotion, power, and motivation through his work. Empowerment and envisioning a better society. Expression of the current hardship of racism and sexuality. He covers topics which are so complex and need to be depicted. Through his art, he speaks for millions and preaches to billions. His voice is heard through the art he creates.
Wiley inspires me, and I have learned so much through his paintings. Likewise, I see that painting can be so much. I have a much greater appreciation for all of art, not just painting, because of him. Art is so amazing and can speaks wonders. Painting may have been the entrance into art for me, but you can find your niche anywhere. There is so much out there and so many art opportunities. Go explore, there is so much to be found in art.
1“Kehinde Wiley.” The Art Story, 2018, www.theartstory.org/artist/wiley-kehinde/.