Books
Donatello’s Promiscuous Technique: Experimentation and Collaboration in a Fifteenth-Century Italian Workshop, manuscript in progress.
Contamination and Purity in Early Modern Art and Architecture, co-edited with Lauren Jacobi (Amsterdam: Amsterdam University Press, 2021).
The Art of Sculpture in Fifteenth-Century Italy, co-edited with Amy R. Bloch (Cambridge: Cambridge University Press, 2020). Finalist for the PROSE Award, Art History and Criticism, Association of American Publishers, 2021; named an “Outstanding Academic Title” by Choice, 2021.
Sculpture in the Age of Donatello: Renaissance Masterpieces fromFlorence Cathedral, exh. cat., eds. Timothy Verdon and Daniel M. Zolli (London: Giles/Museum of Biblical Art, 2015). Finalist for the Alfred H. Barr Jr. Award (Smaller Museums) from the College Art Association, for “an especially distinguished catalogue in the history of art,” 2015
Selected Articles and Book Chapters
“Making Up Materials: Donatello and the Cosmetic Act,” article forthcoming.
“The Absent Center: Donatello in the Workshop,” in Sculpture Workshops as Space and Concept: Creating the Portrait, eds. Jane Fejfer and Kristine Bøggild Johannsen (New York: Routledge, 2022), pp. 17–40.
“Contamination and Purity in Early Modern Art and Architecture: An Introduction,” in Contamination and Purity (as above), pp. 17–62. [with Lauren Jacobi].
“Grace and Favour,” commissioned review of Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence (The Frick Collection) for Apollo Magazine (January 2020): 86–87.
“Virgil’s Forge: The Afterlife of a Sculptural Legend in Aragonese Naples,” in The Art of Sculpture in Fifteenth-Century Italy (as above), pp. 388–415.
“Making and Unmaking Sculpture in Fifteenth-Century Italy: An Introduction,” in The Art of Sculpture in Fifteenth-Century Italy (as above), pp. 1–38. [with Amy R. Bloch]
“Bell on Trial: The Struggle for Sound After Savonarola,” Renaissance Quarterly 72/1 (Spring 2019): 54–96. [with Christopher Brown]
“Through a Mirror, Darkly: Medardo Rosso and Donatello,” in The Renaissance in the 19th Century: Revision, Revival, and Return, eds. Alina Payne and Lina Bolzoni (Milan and Cambridge [MA]: Officina Libreria and Harvard University Press, 2018), pp. 289–312.
“Donatello’s Visions: The Sculptor at Florence Cathedral,” in Sculpture in the Age of Donatello (as above), pp. 45−74.
