He for She and Like A Girl
“You play ball like a girl!” as the saying goes. This black mark upon what happens to be a cinematic masterpiece is one of many social constructs defining girls as weak along with the more modern idea of the negative connotation of feminism. Always’s “Like a Girl” campaign and Emma Watson’s “He for She” speech challenge commonplaces surrounding gender inequality by using various forms of rhetoric. (Yes, I know this needs a lot of work).
Though, there is not much imagery to work with in either piece, there is something about women in the spotlight that conveys the idea that this is about women and women are important. In the video of the “He for She” speech Emma Watson is smartly dressed for the occasion in high fashion business attire attributing to the fact that she means to do more than wow people with her beautiful accent. She marches up to the stage with a quiet confidence that only a role model of girls everywhere can possess and cordially addresses the United Nations before making the audience question everything they ever thought about feminism.
Always’s “Like a Girl” campaign opens up to the first shot of a gorgeous girl standing in the middle of a screen test timidly stating that she is ready to begin. The director throws the first action out to her “Run like a girl” and the girl’s whole demeanor changes. The audience can see the light go on behind her eyes as she realizes that this is an easy one, she has been shown and told that doing things like a girl just means to do that normal act in a wimpy manner. Woman after woman, man after man, and a boy act out exactly what it means in society’s eyes to do things like a girl without a moment of hesitation. The act is easy because it is drilled into the minds of an older population. However, when the pre-adolescent girls enter the screen and are asked to perform a task like a girl, a fierce determination crosses their features. Kicks and runs with strength behind them cross the screen left and right. The comparison of the reactions becomes apparent to the audience very quickly as the video goes on. No one has to say anything it is plain to see, the girls are challenging the idea of what it means to be a girl.
Another rhetorical device that is heavily utilized throughout both pieces is pathos. Young girls answering the question if they think the phrase “like a girl” is a good thing or a bad thing hits the audience right in the heart. The young girls seem confused as to why doing things like a girl would ever be considered remotely demeaning, while the elder participants are bewildered as to what they have done and what they are actually doing when they portray things as doing them in a girly way. The young boy in the video elicits a particular response when he is asked if he feels that he offended his sister through his actions. As the boy’s eyebrows knit together he feels just as confused as his answer sounds. He scoffs that he would never offend his sister but he did probably offend girls, leaving both him and the audience confused as to why he does not view his sister as a “typical girl”.
Emma Watson, however, uses personal experience and hindsight to draw empathy out of not only those present at the speech but also those who would hear and watch the speech over and over again. One main distinction Ms. Watson makes in her relations of her past, though, is that she mentions that men are also affected by gender inequality, an issue that is not addressed in the “Like a Girl” campaign. She states that her male friends are not free to show emotion in fear of not being “manly” enough. As Ms. Watson relates her stories of being a young, headstrong girl in a world that does not accept such people she varies her tone of voice, adding a quality to it that makes it sound like it is breaking and that even talking about it brings her physical pain. Her use of an airy tone of voice is a great contrast to the voice she uses when she calls men and boys to help the cause. The variation of her tone is what arouses emotion in the audience of people who can either relate to her experience of challenging social norms or people who should be able to relate.
Finally, ethos is utilized in both pieces to force an audience of people who can make a difference to listen. Always is a company obviously made for girls, therefore they have credibility in the sense that they should know girls at least a little bit by now. Always’s “Like a Girl” campaign solidifies their stand on how girls should be viewed in society and that things need to be changed. The company promoted the campaign to a young audience due to the fact that they played this ad before YouTube videos and who tends to watch videos on YouTube? Young people, that’s who. The focus on a young audience is very important due to the fact that it is a young audience that has the power to change this social construct. It is clearly already stuck in the heads of an older population as seen in the video, but the young population seems adamant in the idea that girls can do anything and do it well, like a girl.
Emma Watson’s credibility comes simply from being a well- educated young woman role model familiar with the commonplace that feminism is negative, similar to how doing things like a girl is negative. Not only is Ms. Watson a graduate of Brown and Hogwarts School of Witchcraft and Wizardry, but she is also a woman, a human being, who has every right to make a stand as anybody. In her speech Ms. Watson gives herself credibility questioning if not me who? Who better than Emma Watson to invite men to join the fight for gender equality? Not only is Emma Watson a feminist in real-life, but she portrayed a feminist on screen for years. Hermione Granger is one of the most headstrong heroines in entertainment today. Not only is she a feminist she is also a feminist who does not discriminate friends and allies based on gender. Who better than Emma Watson to challenge the idea that men cannot show emotion and that being a feminist is a girl thing? The answer is there is no one more fit for the job then Emma Watson a girl who grew up before the eyes of the public both on screen and in real life.
Varying forms of rhetoric are used to construct two pieces of gender equality propaganda that question the social norms of society both in modern times and throughout history.
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