John Towner Williams is an American composer who was born on February 8th, 1932 in Floral Park, NY. When he was 16, his family moved to Los Angeles and he attended UCLA. While living there, he actively took part in private composition lessons. After serving in the Air Force, he returned to New York and began to attend the Julliard School, where he was a student of the piano. In 1956, he again returned to California, this time Hollywood, and was trying to work as a pianist. He was successful in that, and eventually became a staff arranger for Columbia Pictures and then 20th Century Fox. While working there he worked on orchestrations for multiple masters of film scoring.
In the 1960s, he began working on compositions of television shows, writing the themes for: Gilligan’s Island, Lost in Space, and Land of the Giants, etc. He won Emmys for his scores on Heidi and Jane Eyre, and won his first Oscar for his adaptation of the music for the broadway musical Fiddler on the Roof (1971).
In the 1970’s, he created music for multiple movies that didn’t do so well, however, it was his score for the Steven Spielberg horror film Jaws (1975), with its iconic musical depiction of the shark, that won him another Oscar and secured his musical reputation. He has provided the music for most of Spielberg’s movie since then, and there has been a long list of great ones. By Spielberg’s recommendation, he worked on George Lucas’ Star Wars films.
Since then, he has scored an impressive list of features, including: Superman, multiple Indiana Jones films, E.T. (The Extra Terrestrial), which won him his third Oscar, Jurassic Park, Schindler’s List (another Oscar win), Saving Private Ryan, and the Harry Potter film series, etc.. He also wrote the fanfares for the Olympic summer games of 1984 (in Los Angeles), 1988, and 1996 (in Atlanta).
He has also wrote concert music including two symphonies, a cello concerto, and concertos for violin, flute, clarinet, bassoon, horn, trumpet, and tuba, etc. In 2003, he composed and conducted a new work, called Soundings, that opened the Walt Disney Concert Hall in Los Angeles. To this day (NPR book written in 2006), he has won five Oscars, has 43 Academy Award nominations, 18 Grammys, three Golden Globes, two Emmys, and five BAFTA (British Academy of Film and Television Arts) Awards.
A musician perfectly attuned to his metier, Williams is the most successful, versatile, and prolific film composer in the history of the medium, and most likely the highest paid composer ever. He almost single handedly revived the big orchestra Hollywood film score. His style is eclectic in the best sense, the sweep of his ideas and grandeur of his orchestration clearly pay homage to the work of many famous sound trackers, but he has also made inspired use of elements drawn from the idioms of Holst and Prokofiev (who we learned about earlier in the course) and many others. The result, almost invariably, sounds apposite rather than derivative. Few living composers in any line of work can match him when it comes to creating atmosphere, drama, and a sense of adventure.
Here are a few of my favorite works by Williams:
Sources: The NPR’s Listener’s Encyclopedia of Classical Music