Category Archives: Pop Culture

Le Grande Kalle & Fally Ipupa

The most moving pieces of art are birthed within struggle. In terms of music there are countless clear examples of this. Sam Cooke’s “A Change is Gonna Come”, an American civil rights movement anthem, is a song that immediately comes to mind. Bob Marley’s “Concrete Jungle”, a hauntingly gorgeous reflection on the hardships of impoverished Kingston, is another example. The historical and current hardships of the Democratic Republic of Congo are well documented. The sublime, influential music that has come from this country is rarely mentioned when the DRC is discussed in the US. Congolese music is colorful, vibrant and a true bright spot in the country. Le Grand Kalle, aka Joseph Athanase Tchamala Kabaselleh, is synonymous with the birth of contemporary Congolese music. His blend of traditional Congolese music with Latino dance music birthed a genre and influenced music throughout the world. Fally Ipupa is a present day superstar in the DRC. He has performed all over the world and has achieved true legend status.

You can’t begin to talk about modern day music in the DRC without talking about Le Grande Kalle. He was born in Belgian ruled Congo in 1930. As Kalle grew as a musician he was dissatisfied with the music that was being made in Congo at the time. He viewed the music as unprogressive and sought to give the country’s music scene new life. He was inspired by Cuban Rhumba, which has roots in Congolese slaves on the island. Given these roots, Cuban Rhumba blended beautifully with traditional music from Congo. Le Grand Kalle formed the big band group Le Grand Kallé et l’African Jazz in 1953. The group’s popularity was unparalleled and their stylishly vibrant jazz became popular throughout Africa.  Some of the bands most important work was produced during the struggle for independence in Congo. Le Grand Kalle performed at “The Round Table Talks for Congolese Independence” in Brussels in 1960. The song “Indépendance Cha Cha” is possibly Le Grand Kalle’s most famous song. It blends a strong political message with the optimism present in smooth dance music.

Fally Ipupa is currently dominating the music scene in the DRC. His music is reflective of the dance music that Le Grand Kalle made popular in the 60’s. Ipupu has made incredibly popular music since beginning his solo career in 2006. He has become famous for his addictively catchy dance hits, but he is more than just a hit maker. He’s got the chops on guitar to show his musicianship transcends pop music. He also possesses immense skill as a performer. The hip shaking musician has sold out venues throughout the DRC, Africa, and the world; performing sold out shows in New York and Paris. Ipupa’s pop culture status goes beyond music. In the DRC his status as a sex symbol was cemented when he was named on a list of the sexiest men in the DRC. He has won several awards for his music at the African MTV VMA’s. In August of 2014 Ipupa performed at the US-Afria Summit in Washington DC.

There are many parallels between Ipupa and Le Grand Kalle. Both have been extremely important to music in the Democratic Republic of Congo as well as the country itself. Both have performed at international political gatherings and gained international popularity. Most importantly both artists have remained bright spots within a country that has had many struggles. They remind us of the beauty of the DRC and its people.

Nigeria – The big bro of Africa.

Africa is the richest in natural resources continent in the world. Since the colonization period ended, African countries gradually become to be known as the next super-powered countries. Surviving from the British colonial, Nigeria now becomes one of the most powerful country in the Africa. Although there are some political problems, Nigeria has the massive of resources that could make it a great and wealthy country if there is a good administration on those national assets. Nigeria is also listed in the Next Eleven (N-11), among those high-potential economic countries. Furthermore, Nigeria has many cultural resources and places that help growing the tourism revenues, and its economy.

Nigeria is the most populous country in Africa. It locates near Gulf of Guinea, and its neighbors are Benin, Niger, Cameroon, and Chad. Nigeria has long and interesting history. The first group of people that habit Nigeria was Nok (500 BC.) Then Kanuri, Hausa, and Fulani gradually migrated to the land of Nigeria. Islam religion was first introduced to the Nigeria in the 13th century. It was Fulani that ruled the region until British seized control by 1886 and become the colonial. On 1960, Nigeria got independence and join the United Nations as a member of the commonwealth nations. After that, there are many conflicts between ethnic groups, military coups. Somehow, Nigeria is now free and on its way to the greatness.

Nigeria is affected by 4 climate types and most of it are tropics. Tropical rainforest in the southern area contributes natural abundance for Nigeria. You can see many forests in that area. Tropical savanna in the western and central area of the country where it is less humid and less hot. Alpine climate in the highland parts of Nigeria offers nice scenario for tourists. Last but not least, Tropical dry in the northern part of the country. The variety of climates has been helping Nigeria’s natural abundance and economic since its history.

Nigeria has been produced great people throughout the time. There are many people that are recognized by the world populace, and some are the role models that later generations use. Hakeem Olajuwon is a great basketball player that is recognized by the world of sports. Fela Kuti who used music to encourage and increase consciousness to the society. It was the peaceful action to against the corrupted state and should be a model for the modern day political reforms. There are also many great scientists that are Nigerian. Nigerian people has the potential to drive the country and the world.

Since the great amount of Ebola-related news come out, almost every people in the world is in panic. Most of them think that every African countries has stained with dead virus. But in reality, it isn’t. According to the WHO (World Health Organization,) Nigeria is free of Ebola. Outside people use stereotype to judge sanitation in African countries for a very long time. The stereotype is also a barrier of African economic growth. Because tourists may think that African country (in this case, Nigeria) has poor sanitation and afraid to come to Africa. No one wants to be nasty just because what he/she is born.

In the vision of people outside, Nigeria and other African countries are not developed and has poor administration. But in the reality, these countries have potentials that can keep up with other super-powered countries in the world. It is stereotype that keep them (African countries) under the condition that slow down the countries’ development; for example, African’s Ebola administration that affect the tourism growth. If the ignorance are reduced, African countries (not only Nigeria) will rise as the new and shine super-powered countries, and greatly help the current world struggles.

(This is part of the Blog Assignment #6.)

The danger of a single story

As I was researching an interesting article other than one on the Ebola outbreak in West Africa, bombings in Nigeria or Kenya, I stumbled across a short speech in relation to African stereotypes. In one of her short speeches given at a Ted talk in 2009, Chimamanda Ngozi Adichie addressed a few of many of these misconceptions and its’ consequences Africans experience, not only within the continent, but also abroad.

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Chimamanda Ngozi Adichie is a well renowned Nigerian novelist. Her works have been translated in 30 languages and is a role model of mine. Unknowingly many of us may have heard her voice in Beyonce’s single ”flawless” where she including an excerpt of the author defining the term “Feminist”. In this video, Chimamanda gives the audience an insight on the troubles she faced as a young Nigerian girl, evolving without any figure she could relate to within the Literary world.

” I was an early reader, and what I read was British and American children books ” she states as she begins to recollect her early childhood in Nigeria. Learning about different cultures and countries is great, however, it becomes a problem when these foreign depictions are the only ones being told, which in turn causes the child to not fundamentally grasp his/hers capabilities. I often hear local Liberians say “that’s for white people” when activities mostly seen and done by Westerners are invoked despite the fact that they may have the same if not better abilities.

The absence of relatable figures is a hinderance to the development of a child’s imagination and subconscious that will amplify during adulthood if it is not destroyed. Without knowing any better, these young minds mature with dream-like ideas of the Western world. The author states “Because all I had read was books in which characters were foreign, I had become convinced that books by their very nature had to have foreigners in them, and had to be about things in which I could not personally identify.” This is a sad reality I’ve personally witnessed. Breaking down to some of the young local children in Monrovia that they can actually become whomever, do whatever and transcend is often difficult. It is as if my claims are so farfetched from the truth. As a result, they only take my words with a grain of salt, while nodding their heads out of respect.

The question at hand is who is to blame for this? Who is responsible for this lack of education and opposite stereotyping from both ends? As Chimamanda states, only one story in Literature has been told throughout the history of this continent; that of a poor, miserable, deadly, primitive Africa. This is precisely the dangers of a single story and what many fail to realize: just like literature, mainstream media outlets such as CNN, BBC and others are the ones primarily televised in these regions of Africa.Therefore, the viewers not only perceive a glorified version of America but those who do not know any better only see the negatives of Africa, a crippled view of Africans, and thus a tarnished vision of themselves.

After moving to America for college, she faces a different type of challenge. The higher-level educational institutions where one’s vision and understanding of the world is meant to flourish suffers severely from the one side of a story syndrome. She recalls, “The professor told me that the characters were too much like him, an educated and middle-class man. My characters drove cars, they were not starving, therefore they were not authentically African.” If individuals with such distinctions cannot imagine an African resembling themselves, then who are children to speculate such travesty?

Indeed, the youth will only imitate, and believe what they are taught. This ignorance is indeed is widespread disease. “My American roommate was shocked by me. She asked where I had learned to speak English so well and was confused when I said Nigeria happened to have English as their official language” states the novelist. This statement is one that I, and millions of Africans in various locations of the globe are familiar with.

Questions such as “ do you have electricity in Africa?”, “are there roads?”, and my all-time favorite statement “ you do not look African” become standard, even in this day and age. “I come from a conventional middle class Nigerian family. My father was a professor, my mother was an administrator.” Although she may have come from a normal average household, to many Americans, it is almost unfathomable that common cars exist, putting her upbringing at an unimaginable thought. This is primarily due to the fact that there still aren’t many stories, films and pictures depicting the reality of the real African lifestyle in mainstream media. Having solely learned about safaris, the continent’s beautiful houses and mansions, immense sky-scrappers and most importantly, its’ refined, intellectual and civilized groups of people seem to have lost it’s way to major news outlets: proof of the perpetual cycle of stereotyping.

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Abidjan, La Cote d’Ivoire at night

Chimamanda delivered an honest, genuine, account of her experiences with stereotyping. I believe the platform she spoke on, TED talk, allowed her to give such a truthful speech. I do not think other media stages such as CNN would permit her to express herself as freely, without trying to steer her toward their goal. Many of the terms she employed (and we studied in class ) such as “pity”,”dying in poverty”,”catastrophe”,”aids”,”darkness” would still be used but in a completely different context.

Nonetheless, I hope one day I would not have to specifically mention where Liberia is when asked about my origins, because almost no westerner I met here knew where it was (before the Ebola outbreak). I am confident one day, when I tell my adopted teenage sisters that living in America is not the utopia they have heard of, they will not look at me as if I’ve completely lost my mind. I pray for many more billionaires such as Nigerian Aliko Dangote, Nobel peace Prize winners like Liberian Ellen Johnson Sirleaf and Oscar winner Lupita Nyong’o, so that the mediocre stereotypes associated to such an amazing collection of people is forever destroyed.

Link:http://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en#t-488506