CALL FOR CHAPTER CONTRIBUTORS
The day after Donald J. Trump was sworn into office as the 45th president
of the United States of America, bright pink yarn quite literally painted
the streets pink as women, and male allies participated, in what was likely
“the largest single-day demonstration in recorded U.S. history.” Protests
of the new president’s divisive rhetoric and proposed policies, and his
history of sexual harassment and assault, may have been at the forefront of
the women’s marches all over the world but knit and crochet hats helped
convey the message: Women would not sit quietly as concern over their
rights and bodies were amplified during the 2016 presidential election and
beyond.
This proposed volume, an edited collection, is committed to investigating
how people create handicrafts and share them publicly as a statement
reacting to political policies. At the heart of this volume is an
exploration of craft as action and a means of expression relating to
unfolding current events throughout U.S. history. Craft activism “marries”
a DIY, grassroots makers’ ethic with commemorative culture to reveal a
unique relationship that is democratic, visual and rooted in the desire for
social change.
This proposed collection will feature essays that explore how craft has
become a tool – a medium in both the artistic and communication sense – of
the Resistance movement as a platform to express dissent and to build
community among committed activists and those entering activist circles for
the first time following the election of Donald J. Trump. This volume is
also committed to exploring the role craft has played in other resistance
movements and periods of unrest in the U.S.
Chapters that make linkages between craft activism and social justice
movements throughout history, and that explore issues of race and gender,
will be especially welcome.
This volume is also particularly interested in ways that museums, history
and arts organizations can leverage contemporary craft activism as a tool
for community engagement.
Potential essays can explore:
· Craft and activism efforts as a response to, or in opposition of,
U.S. government policies
· Craft as a political-action tool during the presidency of Donald J.
Trump
· Political histories of craft during various social-justice movements
in U.S. history
· An investigation/exploration of how craft disrupts political power
throughout U.S. history, or at specific points in U.S. history or
contemporarily
· How the gendered nature of craft allows for subversive work and
interpretations of craft objects and craft movements
· Racial histories of craft in social justice movements
· How museums, history organizations and arts organizations can use
crowd-sourced and community-based craft projects to engage with the public
and showcase their work around particular topics
· How social media platforms cultivate a community and safe space for
craftivists – who don’t know each other IRL – engaging in work throughout
the U.S. and abroad
· Hashtag Craftivism as consciousness raising activities
· How media coverage presents a gendered depiction of the current
craft “craze” as “not your grandma’s knitting circle”
· Examples of post-pussy-hat craft projects in localized settings
· Examples of craft and action as tools that solve social problems or
raise awareness about these efforts
· Conversations with people leading and engaged with the Craftivist
movement today
· Examples of Craftivist action in the U.S. connecting to themes of
women’s rights, immigration, health care, disability rights, among others.
· Exploration of the constructed ‘whiteness’ of craft through images
of white knitting circles and white grandmas engaged in craft
· Contemporary efforts by the Yarn Mission – “knits for black
liberation” – to “center Black Folks” through yarn work
*Format: *Potential chapters can include scholarly studies, first-person
essays, magazine-style features and photo essays. The book’s editor
welcomes contributions from academics, activists, essayists and those in
engaged in craft-centric activism.
*Deadline:* Please email Hinda Mandell, Ph.D., Associate Professor, School
of Communication, RIT (hbmgpt@rit.edu) by Nov. 30 expressing an interest in
contributing a chapter. Submissions indicating interest past this date will
be considered but early submissions of interest are most welcome.
Submissions indicating interest should include a chapter title, a 200-word
(approximately) chapter abstract and an author bio. Questions are welcome
at any time and should be directed to Hinda Mandell. All scholarship and
submissions should be previously unpublished and not under consideration
elsewhere.
