Monthly Archives: September 2017

Code4Lib 2018

Code4Lib 2018 is a loosely-structured conference that provides people working at the intersection of libraries/archives/museums/cultural heritage and technology with a chance to share ideas, be inspired, and forge collaborations. For more information about the Code4Lib community, please visit http://code4lib.org/about/.

The conference will be held at the Omni Shoreham Hotel in Washington, DC, from February 13, 2018 – February 16, 2018.  More information about Code4lib 2018 is available on this year’s conference website http://2018.code4lib.org.

We encourage all members of the library, archives, museums, cultural heritage organizations, and technology community to submit a proposal for a prepared talk. Prepared talks should focus on one or more of the following areas:

– Projects you’ve worked on which incorporate innovative implementation of existing technologies and/or development of new software

– Tools and technologies – How to get the most out of existing tools, standards, and protocols (and ideas on how to make them better)

– Technical issues – Big issues in library technology that are worthy of community attention or development

– Relevant non-technical issues – Concerns of interest to the Code4Lib community which are not strictly technical in nature, e.g. collaboration, diversity, organizational challenges, etc.

In order to provide increased opportunities for a diversity of speakers and topics, all presentations will be listed by title and description only during the voting period. Speaker names will not be included until the program is posted. We will also be soliciting 10, 15, and 20 minute talks. You’ll be asked to indicate which talk lengths you would be willing to accommodate for your proposal. In addition, we are holding a poster session at the conference. If you would be interested in presenting your topic as a poster, please indicate so on the submission form.

https://docs.google.com/forms/d/e/1FAIpQLSdtLIIPmQeOJRUoPDl6mEj0thtmV3qu4Me9z8-ffbne0qUqTw/viewform?usp=sf_link

As in past years, the Code4Lib community will vote on proposals that they would like to see included in the program. The top 10 proposals are guaranteed a slot of their preferred length at the conference. The Program Committee will curate the remainder of the program in an effort to ensure diversity in program content and presenters. Community votes will, of course, still weigh heavily in these decisions.

Presenters whose proposals are selected for inclusion in the program will have conference registration slots held for them (up to 2 speakers per talk). In addition, panel participants will have registration slots held. The standard conference registration fee will apply.

Proposals can be submitted through Sunday, October 15,, 2017 at midnight PST (GMT−8). Voting will start on Monday, October 23, 2017 and continue through Monday, November 13, 2017.

**The URL to submit votes will be announced on the Code4Lib website and mailing list and will require an active (free) code4lib.org account to participate. The final list of presentations will be announced in December. **

Thank you,

The Code4Lib 2018 Program Committee

18th Distance Library Services Conference

Proposals for panel sessions, poster sessions, and workshops are being accepted for the 18th Distance Library Services Conference. The conference will be held April 11-13, 2018, in San Antonio, TX.

Panel Sessions:

Panel sessions are an opportunity for three or four presenters from different institutions to interactively address an issue of importance to distance librarianship and should focus on helping attendees understand multiple perspectives on a topic. Active participation is an important element of these sessions, so panelists are encouraged to engage in debate, pose questions to the audience or each other, and help the audience engage actively.

Poster Sessions:

Poster sessions provide an informal forum to report on innovative projects, introduce new services and resources, or test research ideas of interest to distance librarianship. Posters should be a creative visual representation of a topic, including graphs, tables, charts, and images. A contest will be held to encourage creativity in poster design and content. Attendees will vote on their favorite posters and the winning poster will be awarded a $50 Amazon gift certificate.

Workshops:

Workshops are two (2) hour sessions that provide active learning opportunities for attendees. Participants will engage an issue, learn a new skill, or develop an action plan or other activity where hands-on learning is integral. Workshops should allow participants to be involved in and contribute to the learning process and the learning experience should excite and encourage the participants to be fully engaged. Participants should leave the workshop with ideas, information, techniques, or skills to share with their colleagues. Workshops will be held on the first day of the conference, April 11, 2018..

Proposals will be accepted through Oct. 1, 2017. To submit a proposal, please visit http://libguides.cmich.edu/dls2018/call_for_proposals.

Please let me know if you have any questions.

Thad Dickinson

Coordinator, Distance Library Services Conference

Central Michigan University

thad.dickinson@cmich.edu

Coalition for Networked information (CNI)

Proposals are now being accepted for project briefings to be presented at CNI’s Fall 2017 CNI Membership Meeting on December 11-12 in Washington, DC, at the Omni Shoreham Hotel.
Project briefings are 30-minute, 45-minute or one-hour sessions that focus on a discussion of a hot topic, or on a specific institutional/organizational project related to digital information; the submission process is open to all, including non-members. A limited number of project briefings are accepted.
A link to the online submission form is available here:
Submissions are due no later than Wednesday, October 11.
Follow this meeting: #cni17f
We look forward to seeing you in DC!

CCLI 2018 – Library Instruction by Design: Using Design Thinking to Meet Evolving Needs

The California Conference on Library Instruction seeks to showcase the ways in which librarians have approached library instruction and information literacy problems through the lens of Design Thinking.

Design Thinking involves using a designer’s perspective to improve services through creative problem solving. A fundamental aspect of this process is that it is iterative, in that intermediate “solutions” are potential starting points that allow for experimentation and flexibility in piloting or revitalizing programs. Design Thinking allows for redefinition of the initial problem by stakeholders throughout all points of the design process. “The challenges facing librarians are real, complex and varied. And given the rapidly evolving information landscape, they need new answers, which requires new perspectives, new tools, and new approaches. Design thinking is one of these new approaches” (1).

We invite you to submit a proposal in the form of a breakout session (60 minute presentations or 75 minute workshops) or a lightning talk (5 – 7 minutes). We recommend that prospective presenters review our evaluation rubric for presentations and workshops at: cclibinstruction.org/ccli-rubric-2018/. Proposals should relate to the conference theme, clearly outline the session, and be timely and applicable to librarians. For presentations and workshops, please include 2 – 3 learning outcomes as well as how you plan to incorporate active learning into your session.

Proposals might entail descriptions of a way in which you have gathered inspiration and generated ideas, made those ideas tangible, and / or how you have communicated what worked and what did not. Specific questions that could be addressed are:

What methods did you use to place library users at the center of your thinking?
What data did you gather before undertaking a large change?
What kinds of iterations did a large project undergo and how did you keep things on track?
What did you learn from unfinished, or even failed, approaches?

Please use our submission form at bit.ly/CCLI2018. The deadline for submissions is Monday, October 23. CCLI 2018 will be held at the University of San Francisco on Friday, June 1st, 2018.

We appreciate your consideration and look forward to hearing from you! For questions, contact Irene Korber (ikorber@csuchico.edu) or Ryne Leuzinger (rleuzinger@csumb.edu).

(1) IDEO. (2014). Design Thinking for Libraries. http://designthinkingforlibraries.com/

 

Social Justice and Activism in Libraries, Moving Beyond Diversity to Action

Book Publisher: McFarland

Su Epstein, Ph.D., co-editor. Director, Saxton B. Little Free Library, Columbia, Connecticut

Carol Smallwood, co-editor. Public Library Systems, Special, School Librarian, Michigan

Vera Gubnitskaia, co-editor. Reference Librarian, Valencia College, Winter Park, Florida

One or two chapters sought from U.S. practicing academic, public, school, special librarians, LIS faculty, sharing how to take the concept of diversity to the next level. The role librarians can play in social justice and social change, activities supporting tolerance in libraries. Topics could be inclusivity, tolerance, civic engagement, civic education, human rights, social responsibility; in the areas of collection development, programming, professional development, partnerships and outreach—just to name a few.

One author or two or three authors per chapter. Compensation: one complimentary copy per 3,000-4,000 word chapter accepted no matter how many co-authors or if one or two chapters: author discount on more copies. Contributors are expected to sign a release form in order to be published. Public, school and special librarians, LIS instructors are especially encouraged to submit.

Please e-mail titles of proposed chapters each described in a few sentences by October 30, 2017, brief bio on each author; place TOL, LAST NAME on subject line to: epsteinsc@gmail.com

 

Creativity and Personal Growth for Librarians

Book Publisher: McFarland

Vera Gubnitskaia, co-editor, Library Partnerships with Writers and Poets (McFarland, 2017); public, academic librarian, indexer.

Carol Smallwood, co-editor, Gender Studies in the Library (McFarland, 2017); public library administrator, special, school librarian.

One or two chapters sought from U.S. practicing academic, public, school, special librarians, LIS faculty, library administrators, and board members. Successful proposals will address creative, practical, how-to chapters and case studies depicting a variety of aspects and angles of the library profession as a creative endeavor, within the library walls and beyond. We are looking for ideas that can serve as a foundation, to incorporate into an MLIS course; a Human Resources’ or an organizational plan, as well as a kick-start to personal career goals planning. The focus is on library staff professional and personal growth and development, NOT creative programming and services for patrons.

No previously published, simultaneously submitted material. One, two, or three authors per chapter; each chapter by the same author(s). Compensation: one complimentary copy per 3,000-4,000 word chapter accepted no matter how many co-authors or if one or two chapters; author discount. Contributors are expected to sign a release form in order to be published.

Please e-mail titles of proposed chapter(s) with a concise clear summary by October 30, 2017, with brief bio on each author; place CRE, Your Name, on subject line to gubnitv11@gmail.com

 

NERCOMP Annual Conference

Share Your Knowledge with Your Peers
 | March 26–28, 2018 | Providence, RI

The NERCOMP Annual Conference is the place where our community of faculty, researchers, learners, and institutions come together to engage, network, and learn from each other’s experiences in advancing innovation and leadership in higher education.

Your professional expertise plays an essential role in enhancing our collective learning. Put your knowledge front and center by submitting a proposal to present at the NERCOMP Annual Conference, March 26–28, 2018, in Providence, Rhode Island. The deadline is October 16.

Program Tracks and Key Topics
The program sessions will focus on these key topic areas:

  • Data-Driven Decision Making
  • IT Services: Support Models and Practice
  • Leadership and Organizational Development
  • Libraries and Scholarship in the 21st Century
  • Policy, Regulations, and Security
  • Systems and Solutions
  • Teaching and Learning
  • Transforming the Student Experience

ISTE 2018

 Chicago IL

June 24-27, 2018

For more information go to: https://conference.iste.org/2018/presenters/submit_proposal.php

ISTE 2018 is the place where educator-tested strategies come together with proven resources for transforming learning and teaching. It’s also the place to get connected to the brightest minds in edtech, then network with them all year long.

We seek proposals from educators at any career stage, from all backgrounds and all parts of the world, and we love to see student participation in presentations! We also welcome exhibitor proposals that demonstrate noncommercial uses of technology to transform education.

Proposals must be submitted online by 11:59 p.m. PT, September 29, 2017.

What makes a good proposal?

We’re looking for presentations that:

  • Take advantage of student-centered pedagogy; show how educators can individualize learning by differentiating instruction and introducing real-world problem-solving; and support your ideas with the latest scientific research on how students learn.
  • Enhance educators’ knowledge. Our goal is to increase both the technical knowledge and the pedagogical content knowledge of educators and teacher candidates.
  • Help develop leadership skills. Explore ways to encourage and empower educators and students to lead.
  • Advance digital age learning. Delve into systems, models, practices and strategies for creating meaningful digital age learning experiences, both virtual and face to face.
  • Address the ISTE Standards. How does your proposal support the ISTE Standards? Provide a model for achieving standards-aligned objectives.
  • Encourage audience participation. Think beyond the lecture and devise new ways to engage your audience. Our session formats include interactive lectures, BYODs, snapshots, roundtables, open-area poster sessions and more. Demonstrate the use of technology to model instructional best practices.
  • Add to the conversation around current relevant challenges, including computer science and integration of computer science into curriculum, higher ed topics and virtual reality.

 

VIEW Journal Call for Papers on “Audiovisual Data in Digital Humanities”

Considering the relevance of audiovisual material as perhaps the biggest wave of data to come in the near future (Smith, 2013, IBM prospective study) its relatively modest position within the realm of Digital Humanities conferences is remarkable. The objective of this special issue for VIEW is to present current research in that field on a variety of epistemological, historiographical and technological issues that are specific for digital methods applied to audiovisual data. We strive to cover a great range of media and data types and of applications representing the various stages of the research process.

The following key topics / problems / questions are of special interest:

  1. Do computational approaches to sound and (moving) images extend or/and change our conceptual and epistemological understanding of these media? What are the leading machine learning approaches to the study of audio and visual culture and particularly time-based media? How do these approaches, models, and methods of learning relate to acquiring and producing knowledge by the conventional means of reading and analyzing text? Do we understand the 20th century differently through listening to sounds and voices and viewing images than through reading texts? How does massive digitization and online access relate to the concept of authenticity and provenance?
  2. What tools in the sequence of the research process – search, annotation, vocabulary, analysis, presentation – are best suited to work with audio-visual data? The ways in which we structure and process information are primarily determined by the convention of attributing meaning to visual content through text. Does searching audio-visual archives, annotating photos or film clips, analyzing a corpus of city sounds, or presenting research output through a virtual exhibition, require special dedicated tools? What is the diversity in requirements within the communities of humanities scholars? How can, for example, existing commercial tools or software be repurposed for scholarly use?
  3. What are the main hurdles for the further expansion of AV in DH? Compared to text, audiovisual data as carriers of knowledge are a relatively young phenomenon. Consequently the question of ‘ownership’ and the commercial value of many audiovisual sources result in considerable constraints for use due to issues of copyright. A constraint of a completely different order, is the intensive investment in time needed when listening to or watching an audiovisual corpus, compared to reading a text. Does the law or do technologies for speech and image retrieval offer solutions to overcome these obstacles?

Practicals
Contributions are encouraged from authors with different kinds of expertise and interests in media studies, digital humanities, television and media history.
Paper proposals (max. 500 words) are due on October 2nd , 2017.
Submissions should be sent to the managing editor of the journal, Dana Mustata.
A notice of acceptance will be sent to authors in the 1st week of November 2017.
Articles (3 – 6,000 words) will be due on 15 th of February 2018. Longer articles are welcome, given that they comply with the journal’s author guidelines.
For further information or questions about the issue, please contact the co-editors: Mark Williams (Associate Professor Film and Media Studies, Dartmouth College U.S.), Pelle Snickars (Prof. of Media Studies Umea Univesity, Sweden) or Andreas Fickers (Luxembourg Centre for Contemporary and Digital History).

About VIEW Journal
See http://www.viewjournal.eu/ for the current and back issues. VIEW is supported by the EUscreen Network and published by the Netherlands Institute for Sound and Vision in collaboration with Utrecht University, Royal Holloway University of London, and University of Luxembourg. VIEW is proud to be an open access journal. All articles are indexed through the Directory of Open Access Journals, the EBSCO Film and Television Index, Paperity and NARCIS.